A couple of things to keep in mind when watching Whit Stillman’s Damsels in Distress, which arrived on DVD this week:
1. It is not part four of his “Doomed Bourgeois” trilogy. Nor should it be. If Stillman had kept us waiting 12 years only to repeat himself, he would not be the artist that he is. Damsels in Distress is something different, something less dramatic and more screwball. Departure is probably too strong a word, as many of the Stillman hallmarks are there, both stylistically (dialogue-heavy, music-centered, ensemble cast, episodic storytelling) and thematically (social and relational mores, the therapeutic value…






























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