It’s pathetic how little we know. And that’s not just some “secular” concession to the Uncertainty Principle. I’m talking about ourselves, about other people, and about what God is “up to” in our lives.
Not only do we not know a lot, but what we think we know is often wrong at root. At best it is partial.
I had an acute example of my colossal ignorance fall on my life recently — about ten days ago, in fact. Some old documents from college days dropped out of a book. They were primary sources about something that mattered to me. They revealed beyond a “Shadow of Doubt” (Alfred Hitchcock/Thornton Wilder) that I had mis-remembered something important, and mis-remembered it from stem to stern.
I wanted to crawl into a hole and die. (In fact I am typing this in a cave near Lake Tahoe. But you know that.) Yet I didn’t, and I won’t. Which is mainly because the 51st Psalm was also in that book. I’ve got a place to go, my knees for lack of a better term, with some damaging new info. If I didn’t have Psalm 51 (King James Version, please), well, then I really would die. I’m actually not expecting to.
This podcast is dedicated to Adrienne Parks Bowman.
Episode 179: Ere the Winter Storms
I wonder as I wander: How come people are changed so little by the roadblocks of life? Sure, they make short-term adaptations, and “take emergency measures” in order to survive. But lasting change? Change of heart, change of character?
A telling example of this comes in the Broadway play and later movie entitled “I Never Sang for My Father”. Robert Anderson wrote the play, and also the screenplay for the 1970 Hollywood version, which turned out to be extremely good — the word is “shattering”. “I Never Sang for my Father” concerns the relationship of a…
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There is a current meltdown in more than one venerable institution within the Christian Church nationally. It’s like the explosions at the beginning of Cloverfield. They seem a little far away at first, but, turns out, they’re headed right for you.
I try to interpret these escalations of conflict within the Church as an expression of incompatibility — the incompatibility of institutions and institutional process with the improvisation and inspiration that mark genuine spiritual religion. (The phrase “improvisation and inspiration” to describe what ought to be, comes from Lloyd Fonvielle.) I have to say, institutions and property and hierarchy are in general incompatible with the teachings of the Founder. Emil Brunner stated this unarguably in 1951 in his book The Misunderstanding of the Church.
“Karma” comes into this, too, tho’ it’s a word I’m a little uncomfortable using, as it sounds awfully Eastern in this context. Meanwhile, Christianity has the same idea! Not to mention Eric Clapton and the Band, who electrified the world once in their performance of “Further on up the Road”. It’s striking how one’s persecutors yesterday become the persecuted themselves, today. As Marshall Schomberg at the Boyne cried to his Huguenot troops, pointing at the French soldiers across the river, “Voici vos persecuteurs!” You never have to worry that someone’s going to get his or her comeuppance. It always happens. You’re not going to have to lift a finger.
Finally, there’s the hope of the Contraption. God is actually with us. He’s neither against us nor indifferent. He is pro nobis, and that’s nothing new. Here, tho’, we can also look to Jane Austen. She’s going to have the last word today.
This podcast is dedicated to Jacob and Melina Smith.
Episode 175: Does the Name Grimsby Do Anything to You?
Ever since 2007 I related to Eliot’s succinct line, “Old men ought to be explorers”. Not that I was exactly an old man, but the line gave me hope. Notwithstanding the end of something, there was something hopeful I could still do. I could try to understand.
Could I become the first man on the moon, like ‘Major Franklin Grimsby’ in Rod Serling’s short story? If I were, would anyone care? (“Does Anyone Know What Time It Is?” – Chicago) Well, at least I’ve tried to try. Lo, a polyptoton.
In this cast,…
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Episode 172: Phony Wars
This purports to be an attack of reality in the midst of “phony wars”.
I am always struck by the truth of pop songs. Not all of them, but some of them. Such as “Waterloo” by ABBA. (Mary and I were there, as it were, when ABBA hit, stuck at a “Saturday Dance” (Geoff Goddard) during the spring of 1974 in the parish hall of Holy Trinity, Hounslow. As soon as we heard the song, and watched the girls line-dancing to ABBA, we knew we weren’t stuck any more. We got up ourselves, tho’ I’m no Diamond.)
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Guess I never tire of quoting Gerald Heard’s maxim about opting out: “The verb to escape is clear enough — it means to leave a position which has become impossible.”
There’s a long back-and-forth within the history of Christian endeavor as to the relative merit of engaging a fallen world in the hope of transforming it; or opting out of it in order to watch, wait and pray. Many dedicated saints have taken the first road. Many others have taken the second. There is obviously room for both.
This podcast examines the second road, and offers another element, too. You could entitle the talk “Feel to Heal”. I believe it, in any event.
Something happened to me on the 26th of July in London, Ontario. I knew it was happening when it was happening. It was even captured “on tape”. You can hear it at the end of this cast, about five minutes into the concluding music. “Good God,” I said to my friend — over the shouting — “he’s really doing it!” Speechless we were. Hope you will be, too, in a good way.
Here is some recommended Summer reading, and listening; a few words of “Good Counsel”, as in Our Lady of Good Counsel; and a brief musical offering, at the end, by Johann Sebastian Bach.
You’ll note an animadversion to Aversion, a Hymn to Him (My Fair Lady), and an invitation to Him to Take the Wheel. All three are solid in me now, and all three I commend. Then there’s the Bach, and the happy birth-trauma pictured in the Offering.
By the way, a “Noye’s Fludde” of new reviews has appeared on Amazon for the updated new edition of PZ’s Panopticon. I find them to be short and shrewd, and some a little heart-rending. Here are some highlights:
“Arresting, Difficult, Funny, Brilliant, and Ultimately Hopeful! I loved PZ’s Panopticon. I started it in December, but I had to put it down after 40 pages because I found it too emotionally difficult. It was too close to something. I picked it back up in late January and finished it in one sitting. Then I wept. I pray it touches you in the way it did me.”
“The stultifying stupidity of defensive prejudice in the spiritual mud-wrestling ring that is organized religion is ripped apart by Zahl in a breathless romp to reanimate politically correct soullessness into a place where we live and long to be connected to what we know, but cannot prove: that God is with us every minute of every heartbeat…”
“Resurrection and mercy—that’s the diamond thread of hope that can withstand the testing-by-fire that is the question of death.”
“It is the only book I’ve ever read through from cover to cover, then immediately turned around and read it cover to cover again.”
Take my breath away (Berlin). Hugs always, and see you in September, –PZ
EPISODE 169: Wooden Ships
What is a person’s duty toward the world? Do we “owe” the world our efforts and our action? If not exactly, then how are we supposed to relate to the world? “How shall we then live?”
This cast talks about Meister Eckhart, who for my money was never wrong about anything. I just never find myself disagreeing with anything he ever said. Or maybe just one thing.
Eckhart preached a sermon in which he said, “What is reaped in contemplation is sown in action.” Gosh, that sounds good.
Yet it’s the only statement he ever made that I can’t get…
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Episode 167: Emotion
It’s a primary theme. ‘Lobo’ talked about it as well as any of our troubadours. So did, and does, Burton Cummings.
Cummings teaches so much, partly because he doesn’t filter his emotions. His songs sometimes have odd emotional interjections within them, words and phrases that sound dis-junctive. A classic example is his 1976 single “Stand Tall”. The song is pure emotion, no editing. You could almost say that “Stand Tall” sounds un-cool. But that’s because the singer/writer is not filtering what he is feeling.
Religion at its best takes the filters off, too; and embodies healing for uncooperative turbulence within….
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It is really happening now, a much prayed for thing. Women are starting to be called to the big jobs, at least in the church. The “walls of Jericho” (as in Frank Capra’s “It Happened One Night”) are coming down. “No Doubt About It” (Hot Chocolate).
Podcast 166 talks about the promise inherent in this breakthrough, such as reduced conflict in parish communities, reduced transference on the minister, reduced counter-transference from the minister, reduced reactivity (in everybody), and in general, reduced resistance. What a relief for there to be less “heat in the kitchen” when it comes to parish ministry….
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In traditional New Testament studies, the student is trying to get as close as possible to the original text. The idea is that the closer you are to the original, the closer you are to the Inspiration that created the text in the first place.
The same principle applies to almost any branch of study, and also to art and literature. You want Kerouac’s actual scroll, Pollack’s actual canvas, Wordsworth’s actual pad, Mike Francis’ actual demo.
I think that Burton Cummings, Canada’s piano man, comes close to Inspiration in several of his songs, including songs he performed with The Guess Who….
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EPISODE 163: Deetour
The Contraption just keeps getting bigger. And I sort of wish He’d stop.
This podcast shows Him widening His sphere of influence. Is the “widening” welcome? Well, yes, if you believe that Karen Young, in her magnificent song “Deetour”, speaks the truth. (How can what she sings be denied?)
I also talk about job searches in the parish ministry, and rector search committees. (How could one have been so blind?) Blame it on the Contraption!
Episode 163 is dedicated to JAZ, the Minister of Edits.
EPISODE 164: Happy Clappy
I feel like in order to begin, you have to come to the end….
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