Flow, river, flow
Let your waters wash down
Take me from this road
To some other town

It is a disservice to lump Easy Rider into the slews of “counterculture” or “indie” filmscapes of the late 1960s and early 70s. It’s not that these descriptors aren’t accurate–both are quite true–or that it wasn’t a hippie-handed film, standing against those “scissor-happy, beautify America” typesetters that George Hanson (Jack Nicholson) could still so aptly classify. What makes it different, though, and thus limited by such descriptors, is that it so inclusively sups with the whole (“All walks of life!”) far too…

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