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Posts tagged "Paul F.M. Zahl"

A Clockwork Theology and the Un-Free Will

A Clockwork Theology and the Un-Free Will

A friend recently noted that TV, post-Breaking Bad, seems to be getting more violent. Typically I’d discard this as your run-of-the-mill cantankerous “kids these days” complaint…but somewhere between grimace-inducing episodes of The Handmaid’s Tale and Netflix’s The Keepers, I realized, well, maybe he had a point. Game of Thrones fits the bill. So does HBO’s adaptation of Big Little Lies, which was much darker than its airport-thriller source material. The list goes on.

Considering all this, I was reminded of the landmark violence of Anthony Burgess’ A Clockwork Orange, which I read way back in high school, for a project about banned books. For the (lucky?) uninitiated, it tells the story of a violent young…

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From Grace in Practice: "Grace in Everyday Life"

From Grace in Practice: “Grace in Everyday Life”

The following is an excerpt from pages 73-76 of Grace in Practice: A Theology of Everyday Life by Paul F. M. Zahl. Soak it up!

Grace has the power of the mallet. Every other prong and heavy-lifting device that seeks to change people is an expression of law and accomplishes the opposite of what it intends. People fear that grace will give permission to be bad. This is the classic fear: that grace will issue in a license–“007”–to do whatever you want, without consequences.

Yet that never happens! In fact, the opposite happens. When you treat people gracefully, they always end up…

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Notes from the Panopticon: A Solution Outside the Field of Battle

Paul F.M. Zahl speaks, from years of theological accomplishment and pastoral experience, on religion that works, from PZ’s Panopticon: An Off-the-Wall Guide to World Religion. Readers should note that we’ve just released an updated version of PZP which includes a few minor revisions, tighter formatting, no typos, etc. Be sure to check out the reviews on Amazon–they’re flattering to say the least!

“Whatever is true about my apparent self, which could be called my “ego”, it is highly resistant, or better, obdurate. It doesn’t like to be told what it should want or what it should do. It doesn’t like to go along with anyone else’s bright ideas.

theater-of-blood-still-444x250

Religions that are about subduing that particular driver—“They call me Baby Driver”—fail. Or at least they fail to do what they have set themselves up to do. No matter how noble they sound in maxim and aphorism, no matter how lofty their goals in terms of personal and social improvement, and high-mindedness, they don’t work. Their problem is that they are trying to revive a patient, as we now see him, who is struggling against the inevitable, which is death, down in the operating theater. The “drowning pool” of failed efforts to re-animate the dead cannot be allowed to become the prime theater of life. If you think it is the scene of life’s real action—and resolution—then it will turn into Vincent Price’s Theatre of Blood (1973).

A religion that works needs to be a religion that is not having to work “over-time” to conquer the unconquerable. You could say that a religion which works has to have different raw material than the human “self” who is involved in a life-long action to deny and postpone the inevitable. Religion that works, in other words, is a question of “if you can’t stand the heat, then get out of the kitchen.” I am talking about religion as flight, not fight.

At first hearing, this sounds like cowardice, the opposite of religion as good works, social improvement, and engaged optimism. But religion with those outstanding positive themes, when it is not anchored to the fact of death, and the near-death which permeates life, fails to deliver, by which I mean, “deliver us from evil” and help us face death. Practical religion takes the measure of the ego’s impossible situation, and locates the solution to it outside the field of battle. As Gerald Heard put it, “The verb to escape is clear enough—it means to leave a position which has become impossible.”

True Detective 1x08 - Form and Void - Detective Rust Cohle (Matthew McConaughey), Detective Marty Hart (Woody Harrelson)

The panopticon of life cannot be in the hands of the struggler down in ICU. He or she is losing the fight. There is no way under the sun by which the ego-life on that flat surface will be able to carry on forever, no matter what. It is too late for the extinguishing self to understand what is going on with it. All he and she can do is “keep on dancing (dancin’ and a prancin’, doing the jerk)” (The Gentrys, 1965), until they just collapse upon the ground.

The man on the ceiling [who is near death, out-of-body in the operating room] is the one with the panopticon, not the man below. It is always too late for the man below. The raw material of him can’t respond to treatment. It is the man on the ceiling to whom the religions of the world have got to have something to say. He is the man on the moon.”

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A View to a Death: Paul Zahl's Christianity for the Dying

A View to a Death: Paul Zahl’s Christianity for the Dying

This quote comes from our inimitable purveyor of one-way love (and world religion!), Paul F.M. Zahl, in his latest work, PZ’s Panopticon:

“This guide to world religion is written through the lens of a near-death panopticon. It takes the position of a person who finds himself floating up the wall, on the ceiling, looking down helplessly as the surgeons try to save his body on the operating table…

Religion is not about the superiority of one concept in comparison to another concept.

Rather, religion is about salvation in the most imminent sense of the word. Religion is…

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Can God Work in Poetry? Simeon Zahl on Spiritual Experience

Can God Work in Poetry? Simeon Zahl on Spiritual Experience

From the festschrift honoring Paul Zahl, Comfortable Words, son Simeon Zahl argues convincingly that God may work in any avenue of human life, broadening the Holy Spirit’s arena beyond the traditional Word (preaching, Bible) and sacrament:

In Isaiah, we are reminded that “All flesh is grass… The grass withers, the flower fades, when the breath of the Lord blows upon it”… the communication of this truth, this broad and profound truth about the futility of merely human activities and strivings in light of death, falls under the remit of the Spirit of truth, despite the fact that it does not immediately or directly reference…

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Alain de Botton Talks Christianity, Anxiety, and Death

Alain de Botton Talks Christianity, Anxiety, and Death

“What would Alain de Botton do?” — Mark Corrigan, Peep Show, Season 4

In a passage eerily reminiscent of Paul Zahl’s Panopticon, emerging Mbird-favorite Alain de Botton speaks about death and the counterintuitively comforting perspective sometimes offers on life and our ‘status anxiety‘. Turns out we’re all anxious about downward mobility of some sort, and the ultimate equalizer, the inevitable rock-bottom, can speak to this:

“Whatever other differences there may be between them, Christian and secular concepts overlap substantially on the subject of what is meaningful in life when viewed from the perspective of death. There is a strikingly similar positive emphasis on love,…

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You Can Never Have Enough (Copies of Tomb of Ligeia): A PZ's Panopticon Teaser

You Can Never Have Enough (Copies of Tomb of Ligeia): A PZ’s Panopticon Teaser

As we approach the holiday season, in which I look forward to Paradox Interactive’s Europa Universalis IV and a new sweater for the frigid mid-Atlantic, I was recently reminded of the floater, a (non-) fictional man on the ceiling lovingly created by Paul F.M. Zahl, an out-of-body person watching the doctors operate on his body. What could each religion mean to him, when he needs it most? Specifically, things – a new historic simulation video game or a Tauntaun sleeping bag?

Zahl, in his newest book, PZ’s Panopticon, examines the religion of Things in a remarkably fresh way, using his ‘panopticon’ (‘all-seeing’) of…

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