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Posts tagged "Netflix"

Portal Guns, Talking Horses, and the Future of TV Comedy (Part 1)

Portal Guns, Talking Horses, and the Future of TV Comedy (Part 1)

On the TV front, two new seasons of Mockingbird favorites are now out for your viewing pleasure. Adult Swim’s Rick and Morty just finished its third season, with Nielsen knighting it the most popular comedy on television, and Bojack Horseman’s fourth season is now available for binging on Netflix. Both shows are regulars in our “best of TV” columns each December, occupying a fair amount of Mockingbird HQ water cooler chitchat. It’s a little silly to think that TV shows featuring an alcoholic super-genius grandfather and a washed up 90s sitcom-star horse garner critical acclaim and commercial success, but that’s…

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Heroin in the Hymnals

Heroin in the Hymnals

There is a moment deep into Netflix’s underrated Ozark (spoilers below), where the raising of a cross atop a church emits ripples of fear, as if recreational Missouri were ancient Rome. Whatever the show’s imperfections, I submit that restoring a sense of the scandal of the cross to America’s Bible belt is a considerable accomplishment. For the most part, the sex and violence in this show is more narrative tool than titillation – though I do wish there had been less of it. Even so, while most critics have fallen into lock-step complaint that Ozark is not Breaking Bad, I…

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How Did I Get Here: Breakdowns in IKEA and Other Tales from an Average and Foreign Life

How Did I Get Here: Breakdowns in IKEA and Other Tales from an Average and Foreign Life

I’m standing in IKEA, and I am shattered.

It’s not often one has an existential crisis in the checkout lane of a Swedish furniture store in the suburbs of Sydney–I think–but it happened to me, and very recently. In the twenty minutes (that felt like an eternity) that I spent behind the cart holding my two young children and a mountain of decorative crap, I came to question every #blessed gift and decision that got me to this exact point in the universe: to this store, to this country, to these children, to this marriage, to this God.

How’s that for a…

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The Title of the Show Is Love

The Title of the Show Is Love

At this point, Love is a show that can do no wrong in my eyes. I love that it moves slowly. I love that the characters have jobs, and that they seem to spend a decent amount of time there. Mostly, though, I love that no matter how low it goes—no matter how awkward it gets, no matter how many bad decisions the characters make—I know that some shade of redemption is close at hand. It is, after all, called Love.

I remember watching the first episode last year. My wife and I were looking for lighter fare, something charming. The promos…

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Prince Philip and Me: On Relating to The Crown's Most Awkward Character

Prince Philip and Me: On Relating to The Crown’s Most Awkward Character

Anglophiles still mourning the ending of Downton Abbey have begun watching The Crown, a Netflix original about the beginning of the reign of Queen Elizabeth II. The series is beautifully made, and instead of bingeing on it, I find myself wanting to savor it slowly. This piece contains some spoilers about the first half of the series.

One of the first scenes in the first episode focuses not on Elizabeth herself but rather on her husband-to-be, Prince Philip. In this scene, before Elizabeth becomes Queen, Philip formally renounces the Greek and Danish titles that were the privileges of his birth. He does…

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Grace in Trains, Pantsuits, and Locker Rooms

Grace in Trains, Pantsuits, and Locker Rooms

A couple of weeks ago my husband, back from an extended work trip, gave me the greatest of gifts: an overnight stay in a local hotel. No, not with him. This was the gift of solitude for nearly twenty-four hours, a joy rarely experienced by mothers of young children and highly coveted by the same, particularly the introverted sort such as myself. Granted, the gift was born out of a demand on my part after a sleepless night and an overflowing toilet, but let’s avoid looking at this horse directly in the mouth, shall we?

When the time arrived, my…

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When Your Popularity Arc Takes a "Nosedive"

When Your Popularity Arc Takes a “Nosedive”

Last year’s Technology Issue published a list of TV Techno-Fables, the first show on the list being Black Mirror, Charlie Brooker’s exceedingly bleak anthology series, which just released its third season on Netflix this month. In the list we discussed that, despite The Twilight Zone comparison often thrown at Black Mirror, the show “does not contain a whiff of Rod Serling’s compassionate humanism.” In other words, if the show is as prophetic as it often feels, Brooker sees no hope entering the equation.

That was all before Season 3, though! Most things have not changed. As with all Black Mirror episodes,…

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The Magnetism of the Exiled Soul to Stranger Things

The Magnetism of the Exiled Soul to Stranger Things

The most succinct way to describe Stranger Things is to say that it’s Steven Spielberg meets Stephen King–meets Netflix. It’s eight episodes and totally watchable in one week, or one night, depending on how willing you are to sacrifice your REMs. (Be warned: You’ll find it hard to finish one episode and resist at least watching the incredible opening credits for the next.)

Stranger Things tells the story of Joyce Byers (Winona Ryder) who, like the woman searching for coins (Lk 15), frantically searches for her missing son, Will; meanwhile Will’s group of motley twelve-year-old friends, who have also been searching for him, stumble across…

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Religious Isolation and the Ridiculousness of Play

Religious Isolation and the Ridiculousness of Play

I’ve been meaning to post some quotes from Jack Miles’ interview with The Sun for a while now, but somehow it’s gotten lost in the shuffle. It’s from the March issue on religion. Miles, a Pulitzer Prize winning writer and ex-Jesuit, discussed the current fear of commitment in America (of which he, as a vow-breaker himself, is admittedly a part).

When asked about the recent Pew Research results, which show that young people are turning away from religion, and which we’ve blogged about at length, Miles says:

Yes, I’ve seen those numbers. Some claim that religion has faded because its dogma is contradicted…

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Tidy Lies and Messy Truths in Flaked

Tidy Lies and Messy Truths in Flaked

In a few recent Netflix shows, Will Arnett plays existentially ambivalent and sometimes despondent characters with alcoholic tendencies. He voices the title role in Bojack Horseman, an animated series centering on a maladjusted former TV star who’s going broke and doesn’t know how to engage in a meaningful relationship. And in the more recent Flaked he plays Chip, an exemplary community member with a colored past, basically killing time before the lease runs out on his furniture store in Venice Beach. He produces both shows and has a larger hand in the creation and writing of the latter, which claims AA…

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At Your Service: Thoughts on Downton Abbey, and Life

At Your Service: Thoughts on Downton Abbey, and Life

I dread my kids getting sick–and not just because I hate to see them suffer. So much for empathy, right? 

Our latest cavalcade of illnesses–recurrent ear infections, nasty colds, and a violent stomach virus–coincided with the wrapping-up of the series Downton Abbey. And don’t think for a second that the deep cosmic significance of that timing is lost on me. I’ve been a fan of the show since summer of 2011, when I tuned in via Netflix from the couch and fought off waves of morning (and afternoon, and evening) sickness by escaping to early-20th century England. I gasped at the…

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Barefoot and Scrubbing for Love

Barefoot and Scrubbing for Love

This one comes to us from our friend, Rebecca Graber. 

Recently I watched the movie Barefoot on Netflix. It’s a classic odd couple movie; the leading male, Jay, is a womanizing, gambling, down-on-his-luck scoundrel who’s on probation, scrubbing floors at a mental hospital. His counterpart, Daisy, is a new resident who does not know why she is there, and as we find out, has not really had contact with the outside world. Her social skills and experiences are equivalent to a five-year-old girl. In need of money from his wealthy family and through a series of events, Jay ends up taking…

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