An interesting article appeared last Christmas in the New York Times entitled, “It’s A Wonderful Life? It’s A Miserable Life!”. It nails certain aspects of that classic movie, but ignores (perhaps purposefully) some of the Gospel-related themes. Two particularly potent examples stuck out to me:
(1) “Now as for that famous alternate-reality sequence: This is supposedly what the town would turn out to be if not for George. I interpret it instead as showing the true characters of these individuals, their venal internal selves stripped bare.” . . . Ernie the cabbie’s blank face speaks true misery as George enters his…

















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