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Posts tagged "From the Archives"

From the Archives: What I Didn't Do On My Summer Vacation

From the Archives: What I Didn’t Do On My Summer Vacation

Lately there’s been a considerable dearth of David Zahl on this site, wouldn’t you say?! So here ya go. The following article goes out to anyone strapping a cargo shell to the roof of his or her car this weekend. From our archives, this one remains as prescient and timely as when DZ wrote it […]

Surviving November

Surviving November

As we come to the close of a particularly vicious election cycle, we bring out from the archives our “Surviving November” series from four years back. Based on Jonathan Haidt’s work, The Righteous Mind, DZ delves into the moral psychology of political strife, and what hope we might be able to gather in spite of it. […]

From the Archives: Law and Grace in the Competition of Marriage

From the Archives: Law and Grace in the Competition of Marriage

As with most of the provocative second half of Paul Zahl’s Grace in Practice, the following excerpt goes well beyond abstractions and gets uncomfortably close to the bone–in the best possible way. The language here has to do with marriage, but you could easily substitute a variety of other relational contexts: Men and women encounter a […]

From the Archives - Coping with Our Failure to Be Happy: Moral Palliatives vs Repentance

From the Archives – Coping with Our Failure to Be Happy: Moral Palliatives vs Repentance

Well, we’re probably nearing our yearly limit for writing about anxiety, but great articles on the subject have been irrepressible. I don’t think it’s a stretch to say that our increasing need to self-actualize, and increasing avenues for doing so, is a root behind the contemporary epidemic of nerves that had 1 in 5 American adults on anti-anxiety […]

From The Archives: A Lenten Reflection on the Isenheim Altarpiece

From The Archives: A Lenten Reflection on the Isenheim Altarpiece

Matthias Grunewald’s Crucifixion, one of the panels of the Isenheim Altarpiece, was commissioned for the church hospital of St. Anthony in Colmar, France, which specialized in comforting those dying with skin diseases. Grunewald kept the background of this powerful piece of religious art intentionally dark to highlight the horrific scene: especially Christ’s smashed feet, his […]