An uncannily resonant follow-up to Evan’s recent post about the Church of CrossFit appeared in the NY Times Magazine this past weekend, courtesy of Mbird fave Heather Havrilesky. “Why Are Americans So Fascinated With Extreme Fitness?” she asks, and her answers are nearly identical to our own, i.e. we are all deeply religious, and a religion of law plays to our controlling inclinations. The line about the similarities with the faith of our pilgrim forebears is particularly telling; the roots of asceticism, regardless of the form it takes, can often be traced to the same place. As always, say what…
The second film selection for Blake & Ian’s four-part series comes from Blake’s selection of favorite horror films, the 1986 version of The Hitcher, starring Rutger Hauer, C. Thomas Howell and Jennifer Jason Leigh.
Jim Halsey: Why are you doing this to me?
John Ryder: You’re a smart kid…figure it out.
Whether it’s the rise of urban legends or the rise of actual incidents, hitchhiking is all but extinct nowadays. It seems to be another victim slain in the slow and continuous death of the old neighborly courtesies.
Hitchhiking is just one aspect of a wider American artistic landscape full of the open road–from…
There is a current meltdown in more than one venerable institution within the Christian Church nationally. It’s like the explosions at the beginning of Cloverfield. They seem a little far away at first, but, turns out, they’re headed right for you.
I try to interpret these escalations of conflict within the Church as an expression of incompatibility — the incompatibility of institutions and institutional process with the improvisation and inspiration that mark genuine spiritual religion. (The phrase “improvisation and inspiration” to describe what ought to be, comes from Lloyd Fonvielle.) I have to say, institutions and property and hierarchy are in general incompatible with the teachings of the Founder. Emil Brunner stated this unarguably in 1951 in his book The Misunderstanding of the Church.
“Karma” comes into this, too, tho’ it’s a word I’m a little uncomfortable using, as it sounds awfully Eastern in this context. Meanwhile, Christianity has the same idea! Not to mention Eric Clapton and the Band, who electrified the world once in their performance of “Further on up the Road”. It’s striking how one’s persecutors yesterday become the persecuted themselves, today. As Marshall Schomberg at the Boyne cried to his Huguenot troops, pointing at the French soldiers across the river, “Voici vos persecuteurs!” You never have to worry that someone’s going to get his or her comeuppance. It always happens. You’re not going to have to lift a finger.
Finally, there’s the hope of the Contraption. God is actually with us. He’s neither against us nor indifferent. He is pro nobis, and that’s nothing new. Here, tho’, we can also look to Jane Austen. She’s going to have the last word today.
This podcast is dedicated to Jacob and Melina Smith.
Timely for the onset of October baseball, but also for the arrival of the third issue of the magazine, which is now available for pre-order on our magazine page. This one comes from our second issue, a memoir from the bench, graciously told by the hilarious Michael Sansbury.
I was always afraid of Jenny Farmer, and that’s probably why we became fast friends. Jenny was the queen of the Parkview High School Theater Department, destined, everyone thought, for Broadway or Hollywood, whichever she wanted really. “I’d rather be famous than happy,” she once told a group of my friends. And they…
Reviewing Sons of Bill’s new record.
A couple of years ago, The New Yorker asked “Whatever happened to movies for grownups?” It’s an important question, and one that has only become more pronounced since David Denby posed it, and not just at the multiplex. In fact, nowhere does it apply more than to the carcass that passes for commercial rock and roll these days. There may have been a time when literacy and restraint didn’t automatically throw you into a niche market, but that time seems to have gone, for better or worse. Which isn’t to say there’s anything wrong…
I was encouraged last week to see an article on cultural engagement get some commentary. At Christianity Today, Alissa Wilkinson’s article on “Lazy Cultural Engagement” was dead-on, providing a more personal/vocational take and bringing in the helpful and germane framework of content and form. At ThinkChristian, Josh Larson’s commentary was also helpful, if a little divergent from our take:
In a broad sense, I agree with what both of these folks have to say. Certainly, as McDavid suggests, Christians are needed as critics outside of our Christian subculture. (I’m grateful to have other outlets where I can do that.) And Wilkinson’s call to…
NY Times columnist David Brooks spoke recently at The Gathering, an annual conference of Christian philanthropists, and his remarks have to be read to be believed. It’s an elongated and even more explicitly sympathetic version of what he said at the 92nd St Y earlier this year, and as such, could not be more worth your time–if you think you’ve got him pegged, think again. To whet your appetite, here’s a stirring portion about ‘what love can do’ (which is followed in his address by an equally stirring portion on the fruit of suffering). The ‘Adam One’ reference is pretty…
We could not be more excited to have Slaid Cleaves join us for the Houston Conference next week. It’s just one of the reasons we hope you’ll meet us there.
There’s plenty of eye-rolling when it comes to American country and folk music, mainly because so much of what used to constitute its storytelling now seems untrue. Songs about rust and horses and top hands and tree yodelers—this used to be far-reaching content; it has since shrunken into American oblivion, re-visited mainly in nichey beer bars by minor players. For anyone other than the Americana devotees, country songs consist, at best, of naïve nostalgia about “simpler times”, and at worst, of abject denial about who we are. And perhaps it is true.