Back in May I read an article in the Atlantic Monthly that rocked me. “The Confidence Gap” addressed the gaping hole of women in top leadership positions. I read it expecting the usual issues: poor math scores, smaller salaries, always feeling behind everyone else. And certainly, this article provided plenty...
LOUISVILLE, KY—According to reports, local woman Janelle Tompkins’ arrival to work an hour late and severely hungover Tuesday morning was precisely the 30th wake-up call she needed to turn her life around. “Wow, my habit of staying out and drinking all night has clearly gotten out of control. I’ve got to make some major changes ASAP,” said Tompkins, using the exact phrasing she uttered during her five previous wake-up calls this year, which have included two shattered relationships and blacking out at a friend’s bridal shower. “I suppose something had to give eventually, and now I’ve gotten the message: It’s time to make a fresh start and think about my future for once.” At press time, Tompkins had invited several close friends to celebrate her new lease on life by meeting at their local bar’s Oktoberfest celebration.
- Cruel to Be Kind – Nick Lowe
- One Way Love – Agnetha Faltskog
- Goodbye Eddie Goodbye – The Juicy Fruits
- A Day Without Jesus – Bobby Whitlock
- Bayou Country – Gritz
- What Becomes of the Brokenhearted – Joan Osborne and the Funk Brothers
- Suicide – The Raveonettes
- Racine – Duvall
- Another School Day – Hello
- Head Over Heels – ABBA
- So Now What – The Shins
- Truly Julie’s Blues – Bob Lind
- Like a Rocket Man – David Bowie
- No Show – Bishop Allen
- The New You – Jenny Lewis
- God and Suicide – Blizten Trapper
- Have Mercy – The Gaslight Anthem
- The Healing Day – Bill Fay
BONUS TRACK: ABBA does Romans 7…
We hope it was a fantastic Labor Day off yesterday. Here’s this morning’s devotion, from Simeon Zahl.
“Nevertheless I tell you the truth: it is to your advantage that I go away, for if I do not go away, the Advocate will not come to you; but if I go, I will send him to you. And when he comes, he will convict the world of sin and righteousness and judgment…” (John 16:7-15, NRSV)
In this chapter of John’s Gospel, Jesus is explaining to the disciples why it is better for him to go away than to stay. We can all relate to…
Another Week Ends: Bloated Syllabi, the Jeremiah Option, Better Call Saul, Brangelina Vows, and New Culinary Imperatives
1) Our friend at The Dish, Matt Sitman, gave a poignant response to the question of Christianity in modern life. As opposed to Rod Dreher’s “Benedict Option”, where stalwarts of Christian virtue create a new community devoid of distractions, Sitman prefers the “Jeremiah Option,” as described by Samuel Goldman, that life as God intended is meant not in escaping Babylon, but in building our houses there. Sitman (hat-tipping our beloved Thornton Wilder) looks to what makes Christianity fundamentally unique anyways—not the stringency of time-honored virtues (many religions honor them) but the power of God to forgive.
Goldman gets at something important…
On HBO’s Hard Knocks (Training Camp with the Atlanta Falcons) these past four weeks, one thing is clear: the starry-eyed rookies miss college. Like many who played football through high school, I’ve been cussed at with a myriad of blue streaks and been ranted at with the best of them. So when I watch Hard Knocks every year, I’m rarely taken aback when one of the coaches gets in the face of a rookie or young player and lets him have it. Tuesday night was an exception. Special Teams coach Keith Armstrong was “addressing” his unit in the film room the…
In the trend of recent conversation pieces, Blake (B.I.C.) and I bring you a discussion of The Gaslight Anthem’s newest album Get Hurt.
Carl: First off, how do you feel about “break-up” albums? Intense emotional pain and torment have produced classic albums like Blood on the Tracks, but more often than not I find “break-up” records to be less interesting than others. Get Hurt is certainly a “break-up” record, and while that adds an emotional rawness missing from Gaslight Anthem’s earlier work, I felt as if Fallon’s lyrics lost some of the universality they have on Handwritten and The ’59 Sound.
Blake: As far as…
The day has finally arrived. The pilot of Whit Stillman’s first ever TV series The Cosmopolitans is now available to be watched on Amazon Prime! But here’s the deal. The series itself won’t get picked up unless it receives enough votes. In other words, it’s time to rally the troops. Why should you run and not walk to cast your vote? Why should you either sign up for Amazon Prime yourself, or canvass your friends to find someone who has it and hijack their computer? Five reasons:
1. It’s phenomenal. Here’s the review I posted on Amazon immediately after watching:
Someways into the Frenchman’s third volume, his masterful forays into the life of the mind sound a distinctly practical, as well as Lutheran, note. The sentence structure takes some getting used to (occurrence of the word ‘which’ in English language, a probably corollary of overwrought syntax, has almost halved since the time of Moncrieff’s translation, though not without a promising recent resurgence), but the sentiment is timeless. The narrator recalls trying to write more and for other good habits, but his desired behavior eluded him still-more when he tried to exercise self-control:
If only I had been able to start writing! But…
As a music fan, every once and a while you have one of those “there-is-a-god moments” that makes all the digging worthwhile. You find something, usually by accident, that seems tailormade for YOU, a piece of the puzzle that fits perfectly, that you didn’t know you were missing. It sounds far-fetched, but the sensation is a spiritual one. In an instant, the impersonal universe evaporates and the existence of God seems like a foregone conclusion. And not just any God but a God that cares about, well, you. It happened when I stumbled across Elvis Presley’s “Let Us Pray”. Same thing when I heard the story behind The Monkees’ “St. Matthew”. But this one may take the cake: the lead off track on Agnetha Faltskog’s second solo album (you know, the girl who put the ‘A’ in ABBA). Written by none other than ELO maestro Jeff Lynne–especially for her!–and produced by 10cc’s Eric Stewart, I’m sure you’ll agree that the circle is now complete:
To quote Elaine Benes, I have no speech. I mean, a Wilbury-written OWL, sung by ‘the girl with the golden hair’, the one who was by all accounts the most damaged by her former group’s astronomical success?! It’s too much. You’ll forgive me if I take the opportunity to repost Paul Zahl’s classic formulation (which Fall Conference speaker Tullian Tchividjian has run with so convincingly and enthusiastically). While PZ clearly takes the phrase in a different direction than Agnetha, by no means does his usage rule out the ‘unrequited’ aspect–it just switches the roles, i.e. Agnetha sings from the God’s-eye point of view, ‘natch:
Grace is love that seeks you out when you have nothing to give in return. Grace is love coming at you that has nothing to do with you. Grace is being loved when you are unlovable. It is being loved when you are the opposite of lovable. The cliché definition of grace is “unconditional love.” It is a true cliché, for it is a good description of the thing. It sounds a little 1970s (as in “Have a Nice Day!”). Yet the words are apt.
Let’s go a little further, though. Grace is a love that has nothing to do with you, the beloved. It has everything and only to do with the lover. Grace is irrational in the sense that it has nothing to do with weights and measures. It has nothing to do with my intrinsic qualities or so-called “gifts” (whatever they may be). It reflects a decision on the part of the giver, the one who loves, in relation to the receiver, the one who is loved, that negates any qualifications the receiver may personally hold…. Grace is one-way love.”
A great section from Frederick Buechner’s The Hungering Dark, a book of meditations on the light that can be found in the darkness of doubt. Reminiscent of a staircase invention we’ve heard of before…
There is a silly little jingle that goes something like this:
My face I don’t mind it
For I am behind it,
It’s the people out front get the jar.
But, on the contrary, the person inside gets the jar too. You catch sight of your face in the mirror when you are brushing your teeth in the morning or combing your hair, and often…
A touching installment of Modern Love appeared in this past Sunday’s NY Times, entitled “We Pledge Allegiance…”, in which Debby Greene traces how the “no divorce” pact she made with her husband has played out in her marriage, thirty years down the line. Clearly the survival of any relationship is seldom a matter simply of resolve. Still, in a society biased toward self-determination and individual ‘freedom’, their pact seems downright radical. I should let her tell it:
Our first summer together, we read the “Lord of the Rings” trilogy to each other below high cliffs on a beach in Southern California….
In case you haven’t heard, the Biography Channel ain’t your Dad’s late night insomnia cure any longer. Over the past few months they have relaunched as “fyi,” (yes, the weird comma is in the logo). And they are turning out some really wild programming.
Married at First Sight (Tuesdays at 9ET/10PT) is a show billed as a “social experiment” where people volunteer to get married to complete strangers. They meet for the first time when they exchange their vows. Six people were narrowed down from hundreds of applicants to be paired together in attempted wedded bliss. Four experts, a sexologist, psychologist, sociologist,…
Perhaps not quite as salacious as Tillich fans or foes might infer from the title, but here, one of our ‘top three’ favorite heretics (Bultmann and Kuyper – just kidding), contributes this gem on justification from his Systematic Theology:
Justification in the objective sense is the eternal act of God by which he accepts as not estranged those who are indeed estranged from him by guilt and the act by which he takes them into unity with him which is manifest in the New Being of Christ. Justification literally means “making just,” namely, making man that which he essentially is and from which he is estranged. If used in this sense, the word would be identical with Sanctification. But the Pauline doctrine of Justification by grace through faith has given the word a meaning which makes it the opposite pole of Sanctification. It is an act of God which is in no way dependent on man, an act in which he accepts him who is unacceptable. In the paradoxical formula, simul peccator, simul justus, which is the core of the Lutheran revolution, the in-spite-of character is decisive for the whole Christian message as the salvation from despair about one’s guilt. It is actually the only way to overcome the anxiety of guilt; it enables man to look away from himself and his state of estrangement and self-destruction to the justifying act of God. He who looks at himself and tries to measure his relation to God by his achievements increases his estrangement and the anxiety of guilt and despair.
Another back-to-school ode, this time from Ms. Newton.
Over the next several weeks, children will enter new classrooms across the country, sporting shiny sneakers sans skid-marks and carrying freshly sharpened pencils and blank notebook paper. And they are perhaps a bit nervous (or a lot nervous) about unearthing the answer to a question they’ve been wondering for weeks: Who did I get this year? Who will stand in front of us every day, and with whom will I spend the next nine months? Is she a Miss Honey or a Miss Trunchbull? Will she encourage me or lock me in the…