Last night saw the completion of a five-week series here at Christ Episcopal Church in Charlottesville, VA of a five-week Introduction to Christian Theology class, taught by our own Will McDavid. Recordings of the lectures (about 70 min each) are linked below to entries on our Resources page. Each entry also contains the recommended readings that are discussed during that class. Enjoy:
Opening up Power vs. Force by 1990s self-help psychiatrist-guru David R. Hawkins, I must confess I should’ve done some background on what I was getting into. Dr. Hawkins worked with Linus Pauling on the Nobel-prize winning Orthomolecular Psychiatry. And then he left clinical psychiatry to travel and speak about his pursuit of “pure consciousness”–his theory on the accessibility of the great Truth of life. Power vs. Force is his blueprint–an “anatomy of consciousness,” he calls it–the map of the hidden motivators of human behavior.
There’s lots of kooky stuff in here. For one, Hawkins’ fundamental “database of consciousness” is based in…
“What are my initials?” my friend Billy asked in response to my ludicrous comment. The obvious answer—apparent to anyone who knows him—is: “BS!” It’s not that I was spewing lies, though they most certainly weren’t truthful. It’s just that it carried no concern for the truth whatsoever because the statements were given for a different purpose: I said them only to get a rise out of him. And Billy saw right through it.
So at the risk of oversimplification, one might say there’s truth, lies, and the ambiguous middle known as bullsh*t. This is what philosopher Harry Frankfurt’s little book On Bullsh*t explores. He…
The third installment for Blake & Ian’s four-part series is Ian’s second selection, the 1982 classic creature flick The Thing, directed by John Carpenter andstarring Kurt Russell, Wilford Brimley & T. K. Carter.
John Carpenter’s The Thing is a masterpiece of cosmic/body horror which viscerally manifests the alien abjection of sin. Through masterful use of freezing, tension-fraught atmosphere and brilliant (i.e. horrifyingly gory) special effects, Carpenter meditates on embodiment, identity, and paranoia with breathtaking results. The story, set in hostile Antarctica, follows a shape-shifting alien which can replicate the physiology and even the memories of everything (and everyone) it assimilates. Its arrival triggers an…
More Dr. Michael Nicholson goodness on his favorite atheists series! Check out last week’s pre-Camus for an introduction to the series.
Thomas Nagel (1937 – )
Thomas Nagel had me at, “I confess to an ungrounded assumption of my own, in not finding it possible to regard the design alternative as a real option. I lack the sensus divinitatis that enables—indeed compels—so many people to see in the world the expression of divine purpose as naturally as they see in a smiling face the expression of human feeling” (Mind and Cosmos: Why the Materialist Neo-Darwinian Conception of Nature is Almost Certainly False,…
Ian Olson (who brought Mbird a wonderful reflection on Law and Grace in the new Godzilla) and I decided to put together a 4-part series in celebration of October and Halloween–Mbird-style, of course! We both chose two of our favorite horror films and wrote an article for each one and then allowed the other to present a brief addendum/rebuttal about the film and the article written. This week we open with a classic vampire film from 1932 from the Danish filmmaker, Carl Theodor Dreyer, entitled Vampyr.
How awake must I be to grasp the real world? To see it for what…
“The inmost significance of the exaggerated value which is set upon hard work appears to be this: man seems to mistrust everything that is effortless; he can only enjoy, with a good conscience, what he has acquired with toil and trouble; he refused to have anything as a gift.”
Cue this past Sunday’s sermon on the Parable of the Worker’s in the Vineyard (Matt. 20:1-16):
Michael W. Nicholson, author of the Tides of God blog and theology Ph.D., contributes this worthy series on his favorite atheists. We start off with Albert Camus:
“Negative space” is a concept in the visual arts, particularly in drawing, painting, and photography. A common example is the well-known Rubin vase, which can alternately be seen as a vase or two profiles of a man in silhouette. This is useful, but a bit misleading, because in fine art negative space is not about ambiguity or optical illusion. Negative space in a picture is where other things are not present; it is the…
To many students like myself, mid-July feels like this: “I can’t believe school starts in only a month—I haven’t done enough summery things yet.” There’s a nagging sense of regret even in the present that maybe we could do more to optimize our time. Maybe it’s FOMO, the fear of missing out, or, perhaps, the fear of wasting time. Summer is a long-anticipated golden calf in my head, carved deep with endless vacations and immediate suntans and condensating glasses of Kool-Aid. Not a moment of this empyrean season should go to waste.
And so waste becomes the object of frenzied anxiety….
For those interested in human folly and hard truths, look no further than John Gray, a political philosopher whose work On Progress and Other Modern Myths (The Silence of the Animals) debunks many of our species’ self-flattering stories about where we came from and where we’re going. An agnostic himself, Gray realizes the decline of Christianity won’t issue in quite the same unproblematic post-religious paradise that some of his contemporaries might think:
For humanists, denying that humanity can live without myths can only be a type of pessimism. They take for granted that if human beings came to be more like the rational…
Excerpted from Martin Luther King Jr.’s book, Strength to Love:
“I would like to share with you an imaginary letter from the pen of the Apostle Paul. The postmark reveals that it comes from the port city of Troas. On opening the letter I discovered that it was written in Greek rather than in English. After working assiduously with the translation for several weeks, I think I have now deciphered its true meaning. If the content of this epistle sounds strangely Kingian instead of Paulinian, attribute it to my lack of complete objectivity rather than Paul’s lack of clarity. Here is…
WHAT: Mockingbird seeks to connect the Christian faith with the realities of everyday life in fresh and down-to-earth ways.
WHY: Are we called Mockingbird? The name was inspired by the mockingbird’s peculiar gift for mimicking the cries of other birds. In a similar way, we seek to repeat the message we have heard - God’s word of grace and forgiveness.
HOW: Via every medium available! At present this includes (but is not limited to) a daily weblog, semi-annual conferences, and an ongoing publications initiative.
WHO: At present, we employ three full-time staff, David Zahl and Ethan Richardson and William McDavid. They are helped and supported by a large number of contributing volunteers and writers. Our board of directors is chaired by Mr. Thomas Becker.
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