Watch out, here comes another session from the Houston Conference:
Watch out, here comes another session from the Houston Conference:
A striking editorial by Lisa Miller appeared in New York Magazine last week about the recent death of Brittany Maynard, a 29 year old who had elected (and advocated for the right) to commit suicide after being diagnosed with terminal brain cancer. Miller is less interested in the ethics of Maynard’s decision and more interested in the unprecedented outpouring of adulation it has garnered. Miller tells us, “in the days since she died, [Maynard] has quickly become something more, especially in the ethereal space of social media, where she has risen to the status of a martyr-saint.” Strong words, and Miller…
The third installment for Blake & Ian’s four-part series is Ian’s second selection, the 1982 classic creature flick The Thing, directed by John Carpenter andstarring Kurt Russell, Wilford Brimley & T. K. Carter.
John Carpenter’s The Thing is a masterpiece of cosmic/body horror which viscerally manifests the alien abjection of sin. Through masterful use of freezing, tension-fraught atmosphere and brilliant (i.e. horrifyingly gory) special effects, Carpenter meditates on embodiment, identity, and paranoia with breathtaking results. The story, set in hostile Antarctica, follows a shape-shifting alien which can replicate the physiology and even the memories of everything (and everyone) it assimilates. Its arrival triggers an…
The second film selection for Blake & Ian’s four-part series comes from Blake’s selection of favorite horror films, the 1986 version of The Hitcher, starring Rutger Hauer, C. Thomas Howell and Jennifer Jason Leigh.
Jim Halsey: Why are you doing this to me?
John Ryder: You’re a smart kid…figure it out.
Whether it’s the rise of urban legends or the rise of actual incidents, hitchhiking is all but extinct nowadays. It seems to be another victim slain in the slow and continuous death of the old neighborly courtesies.
Hitchhiking is just one aspect of a wider American artistic landscape full of the open road–from…
Ian Olson (who brought Mbird a wonderful reflection on Law and Grace in the new Godzilla) and I decided to put together a 4-part series in celebration of October and Halloween–Mbird-style, of course! We both chose two of our favorite horror films and wrote an article for each one and then allowed the other to present a brief addendum/rebuttal about the film and the article written. This week we open with a classic vampire film from 1932 from the Danish filmmaker, Carl Theodor Dreyer, entitled Vampyr.
How awake must I be to grasp the real world? To see it for what…
Woah. A devastating one from the new issue of The New Yorker (click here to hear her read it):
What are you doing on this side of the dark?
You chose that side, and those you left
feel your image across their sleeping lids
as a blinding atomic blast.
Last we knew,
you were suspended midair
like an angel for a pageant off the room
where your wife slept. She had
to cut you down who’d been (I heard)
so long holding you up. We all tried to,
faced with your need, which we somehow
understood and felt for and took
into our veins like smack. And you
must be lured by that old…
1. Part and parcel of the juvenilization we touched on earlier this week is the phenomenon UPenn bioethicist Ezekiel Emanuel (best name ever?!) describes as “the American immortal”, that not-so-peculiar species that devotes so much of its time/energy to prolonging life that it kills them (often before they die). Surprise surprise–underneath the aversion to growing up may lurk a denial of human limitation which is ultimately a denial of death. In the latest bit of watercooler bait from The Atlantic, “Why I Hope To Die at 75″, Emanuel challenges the notion of “compression of morbidity”, the widespread presumption that the…
There I was, reclining in the waiting room while my son met with his speech therapist, as I do every week. Computer on my lap—heaven forbid I sit there unoccupied—I was reading A.O. Scott’s new treatise for The Times on “The Death of Adulthood in American Culture.” I like Scott’s writing, so I ignored the instinct to roll my eyes at the prospect of yet another think-piece about stunted millennials; I had time to kill, after all. It opens with some bold claims:
Something profound has been happening in our television over the past decade, some end-stage reckoning. It is the…
Another missive from the busy trap. This one comes from Brigid Schulte’s book, Overwhelmed: Work, Love, and Play When No One Has the Time. In the age of humblebragging, about the achievements you’ve undergone, the vacations you’ve eye-rollingly sped through, the go-gurt you’ve got jammed in the glove compartment, Schulte reminds us that this talk is all about the righteousness of purpose which, in the modern parlance, is held up by the metric of time. And, she notes, it’s not just for the frenzied East Coast corporate lawyer–people in North Dakota are crunched, too. She takes a trip to Fargo…
In the film Dead Poets Society, Neil Perry, a young prep school boy, goes against his father’s wishes and performs in a school production of A Midsummer Night’s Dream. The father blames the boy’s teacher, John Keating (played by Robin Williams) for Neil’s disobedience, demanding Mr. Keating stay out of the boy’s life. In reaction to the situation, that evening Neil’s father takes him home, telling Neil he plans to enroll him in military school.
Later that night Neil, unable to handle the thoughts of his possible future, takes his own life.
Of course, today this plot holds a bitter irony since one of Robin…
Williams’ comedy was more settled into the gap of my parents’ generation than it really was in mine. I, however, grew up watching the best (The Awakening, Good Will Hunting) and worst (Popeye, RV) of his films. He was a household name. A comedian that was so energetic and so child-like that it was impossible to not allow his charisma to drastically change your demeanor. That same energy and child-like-ness, also, made him one of the most devastatingly difficult people to endure during interviews. He would fidget and act like he had drank two gallons of Kool-Aid before coming on…
A woman once wrote Flannery O’Connor, whose stories spanned such plots as misfit murderers, rapacious Bible salesmen, and racist old men, and the woman suggested Flannery’s stories weren’t uplifting. Complaining about the criticism in a letter to a friend, O’Connor said she would’ve found them uplifting, “if her heart were in the right place.”
Flannery’s stories usually involved the all-out assault on the human illusion of mastery and independence, undertaken desperately and absurdly. An invalid for years, you can almost hear O’Connor’s relish as she describes various medical aids:
The brace shop was a small concrete warehouse lined and stacked with the equipment…