1. Much of value comes across one’s desk during Holy Week, and this year was no exception. But the sources are seldom the expected ones. What stopped me in my tracks this week was an interview The European conducted with prominent German intellectual Martin Walser on “Kafka, Faith and Atheism” (and Karl Barth), which was picked up by The Huffington Post in 2012. Don’t gloss over! Despite the somewhat confusing allusion to Martin Luther–a generous read of which would surmise he’s referring either to the -ism that followed the man, or the way the Reformer’s understanding of vocation was culturally…
The Paris Review’s (stunning) most recent issue features interviews with quite the coupling: Mad Men creator Matthew Weiner and our favorite psychoanalyst, Adam Phillips. Both men talk about the art of writing, Phillips using a lot of the dialectic idioms you seem him using on paper all the time. Things like, “Symptoms are forms of self-knowledge.” Or, “Analysis should be the need not to know yourself.”
That being said, Phillips covers a lot of ground, including his own childhood, the books that formed him, the initial interests that brought him to the analysands’ chair. But mainly the conversation covers the breadth…
This letter from the editor opens up our first issue of The Mockingbird, our quarterly magazine which has just arrived in mailboxes! To subscribe to The Mockingbird, click here.
“Tell me which kinds of excesses fascinate you, tell me which kinds of excesses appall you, and I will tell you who you are.” –Adam Phillips, “In Excess”
If Phillips is right, and excesses are the ways we are revealed, then there’s plenty to say about what’s been passing through my Newsfeed. Just this week: Kanye West commissions a Kim Kardashian pop-art portrait from one of Andy Warhol’s cousins in Arizona….
The first issue of The Mockingbird, our brand new quarterly magazine, is in the mail! If you signed up for our mailing list, you should have one coming to you, free of charge. If haven’t, sign up before March 1st and we’ll happily send you one. If you want to subscribe, look no further than magazine.mbird.com. (Remember, Mockingbird’s monthly donors receive a free subscription!)
In the meantime, here’s the line-up for our maiden voyage.
The Real Real Orange County: Looking Back on MTV’s Laguna Beach by Dan Varley
There Is Nothing the Matter with My Heart: Joseph Conrad’s Lord Jim and My Myth of Me by Zach Williams
For the Record: Mockingbird’s Netflix Queue, Must-Hear TED Talks, A Kurosawa Primer, Top 5 Church Debates, and an Elvis Gospel Playlist
Transformational: The Hidden Spirituality of America’s Great Movement by Ethan Richardson
“Friends Don’t Get Serious”: John Cassavetes, James Baldwin and Tall Tales of Angry Men by Charlotte Hornsby
When a Measure Becomes a Target: Inside the Economics of Repentance by Will McDavid
A New Way to Tell It: An Interview with Francis Spufford (click here for a preview)
A Vision for the Storms by Blake Ian Collier
Coming to Terms with the American Hero Fix by Sarah Condon
Dying to Live: What Are the Side Effects of the Modern Hospital? by R-J Heijmen
Another Week Ends: The Geel System, Secular Happiness, GMOs, the Faith of Malcolm Gladwell, and Bobby Petrino (Again)
1) Aeon covers the small, “half-crazy” Belgian town of Geel, where the mentally ill have taken refuge and been given a family for over seven centuries. Given its reputation in the 1300s after the martyr Dymphna was killed by her mentally ill father, the town has become well-known by Belgians as a place of respite for the mentally handicapped, where they are brought into a family and treated as such. The tradition continues today, and people wonder where the lines have been drawn between “therapy,” whatever that means, and “belonging.” The people of Geel even built a hospital on the…
Tragically, one of the most underappreciated shows on television, Estevão Ciavatta’s magnificent PREAMAR, has been discontinued by HBO as a result of their contentiousness over production rights. While we sincerely hope that HBO will change its mind or that someone else will pick up this masterpiece of Ipanema, for the time being our friend Fernanda Rodriguez has graciously compiled a very thorough and interesting interview with three of the show’s most compelling characters, Paula (Karen Junqueira), Maria Isabel (Paloma Riani), and Pepete (Thiago Amaral) . The interview transcript follows:
Karen Junqueira (Paula)
What took you to acting?
Ever since I was little I…
I am coming up on my one-year anniversary of Mockingbird graciously allowing me to become a contributor. It all started with my series on the intersections between horror cinema and Christianity: “In the Event of a Cosmic Horror”. So I couldn’t leave the Halloween season alone without some sort of post dealing with horror and the faith. In that spirit, I would like to present my case for why BBC’s Luther is the scariest show on TV.
Television has broadcast its fair share of horror over the years—The Twilight Zone, The Outer Limits, The X-Files, Supernatural, Fringe, American Horror Story, just…
In celebration of the American release of Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense, we sat down (via Skype) with Francis Spufford to talk about his book, its American release, and the “Yeshua” chapter that still has us reeling. We talked about other things, too; like the problem of human emotion, like hipster irony and David Foster Wallace, like the “cruel optimism” of the world we live in, and Spufford’s own take on the Good Samaritan story.
For the full interview, though, you might just have to wait until for our first issue of our first ever…
From his interview yesterday on the Diane Rehm show, starting at about the 3:30 mark:
AD3: “Frankly, I have this belief (that) if you scratch the surface of any human being, across the country, across the world, at any moment of any day, even right this moment, everybody’s in some kind of trouble. It’s normal. It’s just part of human existence. I think that in America, we freak out about that. I think we’ve been sold a bill of goods, that we think we’re supposed to be happy all the time, especially if we’re successful.”
DR: “It’s in the constitution!”
AD3: “Yeah. ‘Life, liberty…
To the masters of the pen, we wish a happy birthday to Graham Greene and Wallace Stevens. This is from an interview Greene did with the Paris Review back in 1953 (ht WB). Greene, as we’ve said before, had an impeccable grasp of the upturned nature of the love of God, its invisibility to the pious and visibility lended to the humbled (the term “whisky priest” is his). Here he is talking about the “nerve of a theme” that traces through many of his greats: Brighton Rock, The End of the Affair, The Living Room, The Power and the Glory:
Steady, steady. Let’s put it this way. I write about situations that are common, universal might be more correct, in which my characters are involved and from which only faith can redeem them, though often the actual manner of the redemption is not immediately clear. They sin, but there is no limit to God’s mercy and because this is important, there is a difference between not confessing in fact, and the complacent and the pious may not realize it.