We have written several pieces on Charles Schulz’s Peanuts here before, and in particular on Robert L. Short’s prophetic interpretation in his The Gospel According to Peanuts (1965) here, here, and here. Both Peanuts in general and Short’s book in particular have played meaningful roles in my life ever since my conversion to Christian faith. In fact, I recently reread Short’s very important (and Mockingbird-esque) first chapter, “The Church and the Arts.” I found that he gives us—as Thornton Wilder called it—some “new persuasive words for defaced or degraded ones” about Pentecost and the Holy Spirit’s work in the arts and…
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