1. Much of value comes across one’s desk during Holy Week, and this year was no exception. But the sources are seldom the expected ones. What stopped me in my tracks this week was an interview The European conducted with prominent German intellectual Martin Walser on “Kafka, Faith and Atheism” (and Karl Barth), which was picked up by The Huffington Post in 2012. Don’t gloss over! Despite the somewhat confusing allusion to Martin Luther–a generous read of which would surmise he’s referring either to the -ism that followed the man, or the way the Reformer’s understanding of vocation was culturally…
Another Week Ends: Normcore, Eterni.me, Colbert’s Late Show Prospects, Post-Grad Advice, and “I Love You, Buts”
Real quick before we get going: Conference recordings should be up early next week! Videos will roll out gradually after that. Also, we’ve pulled Eden and Afterward to make some final changes. Look for a release announcement in the next ten days.
1) Even getting out of the game is part of the game, now. In fact, it is the game de rigueur. If you thought you weren’t in a fashion trend, if you didn’t know a group existed for people who were actually dressed just like most people, now there is, and you are, and it is the innest…
“Chaos isn’t a pit; chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some are given a chance to climb, but they refuse. They cling to the realm or the gods or love – illusions. Only the ladder is real. The climb is all there is.”
-Littlefinger, Season 3
By the end of Season 3, the realm-spanning “War of the Five Kings” was well at a close. After the Blackwater, the Lannisters had eliminated their main threat from the South, and the Red Wedding took care of the…
ABC’s mid-season offering, Resurrection, arrived to mixed reviews, sporting a 59 out of 100 on Metacritic and a 53% rating with a 5.7 out of 10 on Rotten Tomatoes. What’s been interesting, though, has been the content of the critical reviews. Critics appear to have panned the show largely because the premise is unoriginal. In paging through the Metacritic reviews, one critic concludes, “Hey, we see dead people.” Another says, “…Resurrection feels awfully ordinary.” The A.V. Club flatly declares, “It’s hard to look at Resurrection and not see all the nerve that broadcast networks have lost.” Ouch!
Of course, the show is…
It appears that, before he died on Friday, actor James Rebhorn (Homeland, The Game, Seinfeld) wrote his own obituary. Saint Paul’s Lutheran Church of Jersey City, New Jersey has posted a letter entitled “His Life, According to Jim” which is dated March 2014 and signed by the actor.
This is a rare opportunity for a person who is dying: to have enough notice of one’s impending death in order to make final arrangements, including in this case the crafting of one’s own obituary. Most obituaries, in my honest opinion, are just dreadful–they’re usually written for the distraught family by a close friend, and…
To the surprise of so many who watched, last week an Italian nun dominated The Voice of Italy by signing Alicia Keys’ “No One” in English. The absolute highlight of her appearance (which you can see in the video below) is when J-Ax, a heavily tattooed Italian rapper and one of the voice coaches, reacts with pure delight to Sister Cristina, including shedding a few tears of joy. Another highlight is that she says she auditioned for the sake of evangelism—something she claims Pope Francis inspired her to do. We are all ears, Sister! I also love that some of her fellow sisters appeared on the show in support.
Here are some highlights. Make sure you click “CC” on the video to get the English captions.
Question: What brought you here to The Voice?
Sister Cristina: I have a gift and I am giving it to you. Shouldn’t things be this way?
J-Ax: If I had met you during the Mass, when I was a child, now I would be Pope! I would surely have attended all the functions.
Sister Cristina: Well you have met me now.
Question: What does the Vatican say about you auditioning at The Voice?
Sister Cristina: Listen, I don’t really know. I am waiting for Pope Francesco to call me on the phone. He always says we should go out and evangelize telling God doesn’t take anything away from us but will give us more. I am here for this. [The audience erupts in applause, and J-Ax begins to cry.]
P.S. Have you seen this? Aaaauuugghhh!!!!!
In his sermon on Genesis 32, Tim Keller defines “wounds of grace” as “the chronic physical limitations that a person endures after wrestling all night (literally or figuratively) with the living God and living to tell about it”. In this chapter, Jacob wrestles with “an Angel of the Lord” or “a pre-incarnate Jesus Christ” (as some have inferred). As a result, Jacob walks with a limp for the rest of his life.
These wounds come in various forms and levels of severity, and without exception, wrestling (figuratively) with God involves an altercation. In that altercation, we see ourselves for who we…
Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own. –Jonathan Swift
He told them, “The secret of the kingdom of God has been given to you. But to those on the outside everything is said in parables so that, “‘they may be ever seeing but never perceiving, and ever hearing but never understanding; otherwise they might turn and be forgiven!’” (Mk 4.11-12)
In a Google Talk in 2012, Stephen Colbert spoke (without his character) on the nature of satire, specifically his kind of satire, and the intended “clanging against the world”…
The closing installment of the hitherto brilliant True Detective may have disappointed some. There were all sorts of outlandish theories, complex and convoluted, some with only minimal support from prior episodes. Most notably, people thought that Maggie was going to be a killer, or her father, because her and Marty’s children arrayed their male dolls in a circle around a prostrate female one, re-enacting the show’s central, unseen cultic rape. The show is stronger without Maggie’s involvement – in that case, her children’s sexual acting-out is a plot clue, the result of a traumatic past. But the way things went down,…
Another Week Ends: Secret Auden, Eagleton Deicide, Remembering Wes, Method Acting, True Detective, and Russian Tourist Tips
1. Holy smokes! Have you read Edward Mendelson’s “The Secret Auden” in the NY Review of Books?! If not, run don’t walk. It’s a jaw-dropping, incredibly inspiring catalog of the clandestine episodes of grace initiated by our all-time favorite Wystan–about as honest a Matthew 6:5 vibe as I’ve come across in ages. Lest these remarkable stories be dismissed as mere hagiography, Mendelson (author of the indispensable Later Auden) doesn’t lionize the great poet, instead tracing the ‘good works’ back to their root–which is not a sense of earning or credit (clearly) but of genuine humility brought on by piercing self-knowledge….
Man, was I wrong about Juan Pablo. And even wronger about Andi.
At the beginning of this season, I had illusions about the concepts of masculinity that Juan Pablo had been complicating in this season. I talked about the man of listening over the man of talking, the rave-wave hair do over Marlboro machismo, the spontaneity over the rigid focus. And I think it was because that was what we saw in first few episodes–we found JP sidling the stall of the helpless, drunk girl; we found him championing honesty; we watched him placate the worries of his niñas. Ay, mis niñas.