“You really should listen to this guy”, he said. “A couple of the songs on his new record remind me of what you were saying tonight.”
“I don’t really listen to Christian music”, I responded, half seriously.
“Yeah, um, well, your loss. There’s a strong Yankee Hotel Foxtrot vibe on his new one.”
I’m not proud of the exchange, which took place back in 2005. I had just given a talk to some high school students, and one of the older boys had wanted to engage afterward by telling me about musician Derek Webb. I’d given him…
Haven’t done one of these dedicated lists in a while, but since he’s all I’ve been listening to this past month, it felt appropriate. The rules are: 1. Every song had to have been recorded some time in Bowie’s final two decades-ish (1995-2015) and 2. It couldn’t have been released as a single, i.e., deep cuts only. Pretty happy with it! Presented in chronological order:
In the second half of our short series on Halloween music, here are Ian Olson‘s selections with my commentary.
”Saignee/revelations” by Year of No Light
I: Year of No Light brought their blackened sludge to bear on Carl Theodor Dreyer’s classic film Vampyr (my favorite horror film, incidentally) in 2013 and succeeded in crafting a very peculiar and yet very fitting soundtrack to this unorthodox classic. Though separated by eighty years (!), this soundtrack succeeds in encapsulating the film’s aesthetic: the diffusion of darkness as light.
This song negotiates a difficult balancing act, poised at the juncture of three very disparate moods: stately, yet ethereal,…