Haven’t done one of these dedicated lists in a while, but since he’s all I’ve been listening to this past month, it felt appropriate. The rules are: 1. Every song had to have been recorded some time in Bowie’s final two decades-ish (1995-2015) and 2. It couldn’t have been released as a single, i.e., deep cuts only. Pretty happy with it! Presented in chronological order:
In the second half of our short series on Halloween music, here are Ian Olson‘s selections with my commentary.
”Saignee/revelations” by Year of No Light
I: Year of No Light brought their blackened sludge to bear on Carl Theodor Dreyer’s classic film Vampyr (my favorite horror film, incidentally) in 2013 and succeeded in crafting a very peculiar and yet very fitting soundtrack to this unorthodox classic. Though separated by eighty years (!), this soundtrack succeeds in encapsulating the film’s aesthetic: the diffusion of darkness as light.
This song negotiates a difficult balancing act, poised at the juncture of three very disparate moods: stately, yet ethereal,…
Because Ian Olson and myself could not quite leave it alone without making our devilish imprint on Mbird during the Halloween season, we decided to each choose a five song playlist, explain them and then comment on the other’s choices. What follows are Blake’s choices with commentary by Ian.
“Hurdy Gurdy Man” by Donovan
B: Scottish singer-songwriter Donovan wrote this track after a visit to India and the lyrics themselves are saturated with a typical concoction of various Eastern/mystical ideals with a fuzzy center. It is not really remembered for its lyrics so much as its surreal and rather unnerving atmosphere: acoustic guitar…
To make sure that (amazing) Gold Connections song gets turned into an album, click here.
Ever wonder what it’s like to get pummeled by power? -Pop then -ballads? Cause you’re about to find out:
An abundance power pop this time around… You’re welcome.
Excited to offer up the following taste of the new issue of The Mockingbird:
“The song that launched a thousand sermons” is one way to describe Don Henley’s 1989 single “The Heart of the Matter”. Mark our words: the composition will outlive anything else the ornery Walden Pond advocate has written, “Hotel California” included—for no other reason than the fact that it still gets routinely name-checked in Sunday sermons across the world, more than 25 years after it was released. Of course, it is a great song. Even those who harbor reservations about The Eagles (e.g., Jeff Lebowski) recognize its power;…
As a special bonus this time, we’re proud to get to debut the title song from the forthcoming record There Will Be Rest by the ultra-talented Blake Flattley (who you may know from such places as Our Saviour NYC). You can listen to the song at the end of the playlist, or download the song by clicking here. The release party happens in NYC on June 26.