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No Human Voice: A Review of Doug Burr’s Pale White Dove

No Human Voice: A Review of Doug Burr’s Pale White Dove

This comes to us from Matt Redmond:

And I stepped out slowly between that sordid throng
Comin’ not a word – soundin’ like a song
While it just kept goin’, I just walked on
A song with no human voice

I don’t know where Doug Burr gets his songs from. But I would assume they come from a similar place as Flannery O’Connor’s stories. You expect Hazel Motes or The Misfit to show up any moment.

The first song I ever heard from Burr came out of nowhere. After stumbling onto a website looking for something else, I found myself listening to…

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May Playlist

Bill Fay Asks Who Is the Sender?

What a supremely pleasant surprise to find out that Bill Fay, one of our all-time favorites, has a new record coming out next week, Who Is The Sender? It’s streaming over at NPR as we speak. The tracklisting alone yields several possible future offertories, e.g., “Bring It On Lord”, “A Frail and Broken One”, and the title track, which Bill explains in the press release this way:

What the piano taught [Fay] was how to connect to one of the great joys of his life. “Music gives,” he says. And he is a grateful receiver. But, it makes him wonder, “Who is the sender?” Fay – who after more than five decades writing songs is finally being appreciated as one of our finest living practitioners of the art – asserts that, for him, songs aren’t actually written but found…

The joy and sadness are indeed deep in this material, which Bill describes as “alternative gospel”. Though it clearly stems from his belief, he doesn’t seek to proselytise or convert anybody, but just hopes to share the concerns he puts into the words and the feelings that he receives from the music: “Goodness, beauty, comfort. If something gives in the world, that’s a good thing, isn’t it? Maybe that’s what music wants to do.”

You’ll Always Be a Part of Billy Joel

You’ll Always Be a Part of Billy Joel

For the first few years I sang our son lullabies, I was very intentional about him only hearing church hymns. We’d rock to “Lift High the Cross” or “Let us Break Bread Together.” Sometimes, if I was feeling really crazy, I’d throw in the Doxology. I know, I’m intense.

My aims were good. I wanted the music of the church to be a part of his earliest memories. And what better way to do it than in those sweet moments just before bedtime?

And then, at around the age of 2, he started to rebel. It was the Christmas season that did…

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Bridging Church and Culture: A Conference Breakout Preview

Bridging Church and Culture: A Conference Breakout Preview

Seven years ago, Christ Episcopal Church in Charlottesville, VA renovated a small, single-car garage into a downtown art space and then guess what we named it? We named it The Garage. Since then we’ve hosted monthly art openings, potluck dinners, letter-writing days, some amateur film screenings and literally hundreds of concerts (five years ago, The Lumineers played in front of eight people on a rainy Sunday, long before they were writing songs for The Hunger Games, #neverforget). The space opens out onto a street and, during concerts, passers-by either gather at the entrance or in a park on the other…

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Things Happen (to Dawes)

Yesterday NPR debuted the new video by Dawes, for “Things Happen”, the terrific first single from their upcoming album, All Your Favorite Bands (out June 2). Who plays the central troubadour in the Sgt Pepper suit? You may remember him from such projects as The Mockingbird Devotional, and this post. Nate Michaux is my hero:

April Playlist

New Music: Kendrick Lamar’s To Pimp A Butterfly

New Music: Kendrick Lamar’s To Pimp A Butterfly

Inside the liner notes of Kendrick Lamar’s new album, To Pimp A Butterfly, is a picture of Lamar (shown above) sitting in a room with assorted dollar bills scattered around him on the floor.  Pictures like this are a common and maybe tired rap trope, typically appearing in magazine spreads and liner notes, rife with allegories of success and the spoils of excess that come with it.  Lamar’s picture strikes a different chord though.  He sits solitary on a crate in sweatpants with untied Reebok sneakers and a bottle of liquor in one hand, his tranquil eyes looking right at…

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Social Media, Shame, and the Prescience of DFW

Social Media, Shame, and the Prescience of DFW

This month’s edition of Christianity Today features a cover story, “The Return of Shame,” that draws a clear, causative link between the prevalence of social media and its corollary stripping of privacy with the emergence of a shame-fame culture. I couldn’t help but relate this to David Foster Wallace’s Infinite Jest (and Billy Idol’s “Eyes without a Face”).

n contrast to a guilt culture wherein morality is evaluated on the basis on individual conscience, a shame culture’s efficacy rests on community’s conception of your behavior. According to Crouch, “you know you are good or bad by what your community says about you.” This…

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Godspeed You! Black Emperor and Ricky Eat Acid’s Aural Law/Gospel

Godspeed You! Black Emperor and Ricky Eat Acid’s Aural Law/Gospel

While listening to music, I’ve found there are certain details or aspects in songs that I will tend to gravitate toward or focus on more.  A lot of times, these aspects can, in a sense, make or break a song for me and can be something as menial as a specific chord change, a song’s particular drum sound or pattern, a short musical riff, etc. When I gravitate toward an aspect like this, I tend to disregard a lot of other elements in the song to the point where if that one aspect were missing, I might not enjoy the…

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Weds Morning Gospel Funk: The Relatives’ “Let’s Rap”

March Playlist

It’s a Lenten Britpop girl-group extravaganza!