Art

Another Week Ends: Even More Camille Paglia, Digital Soul-Training, Backstabbing Enablers, Apolitical Auden, and Masculine Christianity

Another Week Ends: Even More Camille Paglia, Digital Soul-Training, Backstabbing Enablers, Apolitical Auden, and Masculine Christianity

1. Where to start with a hierarchy of most severe ‘little-l law’ in ‘secular’ society? We could start with body image, health, having cool experiences, and the like, but prosperity honestly takes the cake. And among the people who have already checked that box, it’s fast becoming political correctness. Political correctness is important, but its ascendant, uncompromising severity and occasional use as a class-code leads to a totalization which is, to say the least, in tension with the traditional (L/l)iberal ideal of discourse. Cue Camille Paglia, who had some fantastic things to say in America Magazine (Jesuits) about the backslide of feminism and…

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A Life of Aching Beauty: Vincent van Gogh as Preacher, Failure, and Painter

A Life of Aching Beauty: Vincent van Gogh as Preacher, Failure, and Painter

Originally posted on Tides of God.

PART I: FALL

Undergrowth with Two Figures is the only Van Gogh painting I have seen in real life. Several times my wife and I have sought it out on visits to the Cincinnati Art Museum. It is not one of Van Gogh’s well-known paintings. The work was completed during his almost manic period of productivity from May to July 1890 when Vincent turned out nearly one hundred paintings and drawings in the last seventy days of his life. Undergrowth with Two Figures is an island of peace in sea of turmoil. Van Gogh biographer Philip…

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Incurvatus In Se according to The New Yorker

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“Our nature, by the corruption of the first sin being so deeply curved in on itself (incurvatus in se) that it not only bends the best gifts of God towards itself and enjoys them, as is plain in the works-righteous and hypocrites, or rather even uses God himself in order to attain these gifts, but it also fails to realize that it so wickedly, curvedly, and viciously seeks all things, even God, for its own sake.” —Martin Luther, Lectures on Romans

Francis Schaeffer on the Problem with Thomas Kinkade’s Optimistic Art

Francis Schaeffer on the Problem with Thomas Kinkade’s Optimistic Art

Several months ago I wrote a post on the well known and now deceased “Painter of Light,” Thomas Kinkade. I addressed Kinkade’s tragic backstory of suffering and how his pain never came through in his I’m-OK-you’re-OK artwork. Most of all I lamented that Christians in particular promote his brand of sentimental artwork because it is safe. What I originally thought would be an obscure post actually got a lot of attention. I was surprised that it struck such a nerve. One redditor called me patronizing: “F*ck Matt Schneider. This piece was condescending and nauseating.”

I don’t usually criticize individual artists and thinkers publically,…

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Why I Spent Last Year Writing a Book About Pop Music

Why I Spent Last Year Writing a Book About Pop Music

Thought I’d kick off the new year with the introduction from A Mess of Help: From the Crucified Soul of Rock N’ Roll (minus the footnotes), something of a personal essay and one which spells out a bit of the thinking behind this whole Mockingbird project.

It was the kind of question that sticks with a person, especially when they’re seventeen. My father asked me one day, out of the blue, “What do you think matters more to people your age—music or movies? Which has more influence?” Even then, I knew enough not to speak for ‘people my age’. But my…

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Unredeemable Art and Wise Words From Madeleine L’Engle

Unredeemable Art and Wise Words From Madeleine L’Engle

When it comes to favorite art, I have an ever-growing list of guilty pleasures, a term which usually refers to some kind of light-hearted or even redeemable creation: Unfortunately, here, I’m not going to write about redemption in Taylor Swift’s new album (“It’s fun though…”). I’m more interested in the less redeemable batch, even art that remains thoroughly, maybe explicitly, un-Christian. Joyce’s A Portrait of the Artist as Young Man, for example, traces the loss of religion in a young man’s life but simultaneously remains truthful and affecting. Or, let’s talk about James Ponsoldt’s The Spectacular Now, which authentically details…

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Failure in a Society that Celebrates Triumphalism

HONY

If you don’t know Humans of New York, it’s one of the few creative things worth following on Facebook. It is curated by a guy named Brandon who simply collects quotes and photos of the people he meets (mostly in New York City), posting them on his blog and social media. He has a huge following. I was struck by a recent post. It’s a down-to-earth presentation of a theology of the Cross versus one of glory:

“I’ve written so many stories and novellas that nobody will look at, plays that I can’t get produced, screenplays that will never be made. Everything is so branded these days in the art world, it’s so hard for an outsider to get work.”

“In what way would you consider yourself an ‘outsider?’”

I’m interested in failure, so those are the themes that I like to explore. But we live in a society that celebrates triumphalism. A society wants art that reaffirms itself. We want to read about characters that win.

“What was your lowest moment as an artist?”

“I worked on a screenplay for two years, and it had just been turned down by the fifth theater in a month, and I remember walking down 5th avenue in the middle of winter, tossing the pages one by one into the slush, vowing never to do it again. It was just a few blocks from here, actually.”

‘Cultural Engagement’, a Bad Fix for Christian Isolationism

‘Cultural Engagement’, a Bad Fix for Christian Isolationism

It’s hard now to sort through too much Christian media without hearing moving and grandiloquent talk  about “cultural engagement.” It’s the trendy thing now, and it seems like the Christian para-academic establishment prepped the ground for an overdue reaction against the isolationism and confrontationalism of now-octogenarian culture warriors. But the talk often seems inversely proportional to the engagement itself. One framework: affirm the good, critique/subvert the bad, discuss redemptive possibilities.[1] (We here tend to omit the latter two.) Talk about talking about culture, and the Evangelical Church is your best conversation partner; talk about a spectacular Game of Thrones battle…

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We’re All Creatives Now?

We’re All Creatives Now?

I can’t remember the first time I heard someone refer to another person as “a creative” but I’m pretty sure it was within the past five years. Since then, the noun has broadened considerably. It used to be only fashion designers, novelists and musicians who were “creatives”. Now advertising executives refer to themselves this way. It’s clearly an elastic term, the connotations of which are almost all flattering. The adjective itself is everywhere you look, too (I’ve certainly used it in relation to ministry). And I’d wager this is largely a good thing. Creativity is often the fruit of grace,…

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Another Week Ends: Cosmopolitans, Accepting Feedback, Instagram Envy, Ideology Trumping Art, Hawaii Sucks, Muggles, and Mudbloods

Another Week Ends: Cosmopolitans, Accepting Feedback, Instagram Envy, Ideology Trumping Art, Hawaii Sucks, Muggles, and Mudbloods

1. While we try to stay away from plugging anything too exuberantly, and Lord knows TV/movie recs can make one less likely to watch, not more, still – writer/director Whit Stillman is coming out with a new show on Amazon, Cosmopolitans, which sounds like a not-so-veiled reference to his acclaimed feature debut about young WASP life in NYC. Vanity Fair this week got a preview of the pilot, and TV snobs will be heartened to know that Stillman cited Everybody Loves Raymond and Desperate Housewives as favorites. Cautiously optimistic, Stillman said that even if the show doesn’t get picked up, he’s happy to have just a pilot: “I really feel that…

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Christmas in July: In Celebration of the Copycats and Original Cover of All Things

Christmas in July: In Celebration of the Copycats and Original Cover of All Things

When you watch a movie that’s a re-make of an older movie (which was also probably adapted from a musical adaptation of a novel) – do you ever mope and wonder if anything out there is original anymore? Is there really nothing new under the sun? I like to be cynical and sleep bitterly in this camp from time to time, sure that our collective imaginations are being mercilessly wiped away by some Never Ending Story-esque of a Nothing. “This is all that’s left of Fantasia!?” But then I consider the very concept of originality and I start to chuckle…

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Terry Teachout on Pop Culture and the Need for a Balance Between High and Low

Terry Teachout on Pop Culture and the Need for a Balance Between High and Low

This one comes to us from the fascinating mind of Jeremiah Lawson, aka Wenatchee the Hatchet:

The Library of America recently rolled out the first installment in a set of Elmore Leonard novels that are now part of their line-up. To mark the occasion, critic and columnist Terry Teachout has revisited his skepticism about Elmore Leonard being regarded as a member of a literary pantheon. This isn’t to suggest that Teachout isn’t a fan of Leonard’s work. This is the same man who published a fine biography on Duke Ellington last year. Instead, he is concerned that our efforts to exegete…

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