Ethan Richardson is a contributing staff member for Mockingbird. Born and raised in Lexington, KY, he graduated from the University of Virginia in 2009, majoring in Religious Studies and English. In June of 2011, he finished two years of teaching 5th grade in the inner city of New Orleans, and now lives in Charlottesville, VA and works for Mockingbird along with serving at Christ Episcopal Church.
From the Mockingbird poet’s newest collection of poems, Still Working It Out, a selection of which is featured in the Third Issue of our magazine, this one was previously published in The Paris Review.
It frightens me to think, she said, interrupting
my holiday banter. Imagining the phrase
as antecedent to a rare gift of honest exchange
between grownup siblings, I dashed
into the split-second of dead air, anticipating silently
her elaboration–what a mess we’ve made of things
for our kids; how many parents of starving
children must hate us for our amazing prosperity
But I had misread
her punctuation, took the period as a pause, and all
at once found myself, like that coyote
we used to pull for on Saturday mornings, utterly
without purchase, eyeballing an abyss.
Which is when, glancing back across the divide
of the double sink at her busy hands, I saw her
as though she were curled in a ball on the lip
of a cliff, knees tight to her chest, face buried
in the cotton folds of a holly-green dress.
It’s okay, I wanted to tell her. It scares me, too.
But I was already plummeting, tumbling in free-fall
to a sunbaked canyon floor, the crazy cur
in her endless cartoon of an unreliable universe
In line with this weekend’s FOMO breakout session, here’s one of the illustrations we looked to, from the most recent season of Portlandia. We looked at the “fear of missing out” as a reaction based primarily in resentment, resentment pointed either at the past or at the future. The fruit of FOMO, then: regret about the lives we never lived, and anxiety about the ones ahead/not ahead. This video certainly falls in the anxiety category, as Kirsten Dunst finds herself haunted by confusion–befuddled at every corner by the distinction between right from wrong.
We could not be more excited to have Slaid Cleaves join us for the Houston Conference next week. It’s just one of the reasons we hope you’ll meet us there.
There’s plenty of eye-rolling when it comes to American country and folk music, mainly because so much of what used to constitute its storytelling now seems untrue. Songs about rust and horses and top hands and tree yodelers—this used to be far-reaching content; it has since shrunken into American oblivion, re-visited mainly in nichey beer bars by minor players. For anyone other than the Americana devotees, country songs consist, at best, of naïve nostalgia about “simpler times”, and at worst, of abject denial about who we are. And perhaps it is true.
Another Week Ends: Kafka’s Facebook, Pre-cations, New Hugo, New Pixar, the Empathy Police, and Kid Worship
1) Facebook at the top of our list again this week, thanks in whole to Joshua Rothman’s New Yorker article, “In Facebook’s Courtroom.” The article depends on a deadly cocktail of TMZ’s Ray Rice video release and Kafka’s “The Trial.” What he gets at, in doing so, is the idea of Facebook as our junk-room of judgment—a place where ‘likes’ are actually ‘hate-likes’ and a user’s status updates stand as verdicts on the world around them. Even the positive “Gratitude Challenge” trends that crop up are indirect judgments disguised as inspirational montages.
Rothman is not just talking about the tendency to…
As the fall Relationship Issue makes its way to the printers, it’s high time we provide a morsel of what’s to come. Let it be known: you will not be disappointed. So here’s for ratcheting up the expectations! Interviews with Modern Love editor Daniel Jones, and the Oscar-winning team behind Undefeated. Essays on marriage, parenthood, relationships with bandmates, relationships with God. A short story from Welcome Wagoner Vito Aiuto, brand new poems by Brad Davis. We have spot illustrations by the famous Jess Rotter. It’s all a little hard to believe.
Find below the Table of Contents and Introduction. If you’re…
Excuse the Americana interruption, but with a new double album out (next week), amazingly titled Down Where the Spirit Meets the Bone, Lucinda Williams seems to be singing from the basement, looking up. And so we need to listen! The twenty-track album from the famed songwriter is streamable on NPR right now, and is worth the listen, regardless of whether or not you find her Louisiana gruff too gruff. The album opens with the title track, which is actually called “Compassion,” a poem her poet-mentor-father wrote: “Have compassion for everyone you meet, even if they don’t want it / What…
By following the rules of improvisation, one family finds love and humor within the wilderness of dementia.
The episode “Magic Words” aired last month on This American Life and in it you’ll hear “Rainy Days and Mondys,” the story of Karen Stobbe, her husband Mondy, and her mother Virginia, who recently moved into their house because she has dementia.
This week, I had the privilege to interview the man responsible for one of our favorite sources of grace in practice, the Editor of the Modern Love column in the New York Times, Daniel Jones. In a ninety-minute conversation we talked about some of the favorite Modern Love columns, about the reasons couples fall in love and the reasons couples cheat, as well as some of his thoughts on online dating and the new delusions of control offered us in the tech-savvy and convenience-seeking age. (We will be publishing the interview in the next issue of The Mockingbird, which is…
In an interview about this most recent project with writer/director John Michael McDonagh (for whom he also starred in The Guard), Brendan Gleeson explains that there was one peculiar element of putting on the cassock of a priest. He says that McDonagh directed him to view the garb as a kind of armor, a self-contained defense of faith in a faithless world. But what he found surprising, given the story of Calvary, and the fact that his corpulent character filled that cassock, was that the “armor” of God spilled over. Instead of self-containment, the priest’s black cassock was “an opening…
Another Week Ends: Bloated Syllabi, the Jeremiah Option, Better Call Saul, Brangelina Vows, and New Culinary Imperatives
1) Our friend at The Dish, Matt Sitman, gave a poignant response to the question of Christianity in modern life. As opposed to Rod Dreher’s “Benedict Option”, where stalwarts of Christian virtue create a new community devoid of distractions, Sitman prefers the “Jeremiah Option,” as described by Samuel Goldman, that life as God intended is meant not in escaping Babylon, but in building our houses there. Sitman (hat-tipping our beloved Thornton Wilder) looks to what makes Christianity fundamentally unique anyways—not the stringency of time-honored virtues (many religions honor them) but the power of God to forgive.
Goldman gets at something important…
A great section from Frederick Buechner’s The Hungering Dark, a book of meditations on the light that can be found in the darkness of doubt. Reminiscent of a staircase invention we’ve heard of before…
There is a silly little jingle that goes something like this:
My face I don’t mind it
For I am behind it,
It’s the people out front get the jar.
But, on the contrary, the person inside gets the jar too. You catch sight of your face in the mirror when you are brushing your teeth in the morning or combing your hair, and often…