New Here?
     
About David Zahl

David Zahl is the director of Mockingbird Ministries and editor-in-chief of the Mockingbird blog. He and his wife Cate reside in Charlottesville, VA, with their three sons, where David also serves on the staff of Christ Episcopal Church (christchurchcville.org).

Contact

Author Archive
    
    Some Other Power At Work in Russell Brand's Life (Inadvertently)

    Some Other Power At Work in Russell Brand’s Life (Inadvertently)

    Great little passage from the comedian’s far from (merely) comic new book Recovery:

    These are secular times. I just went to see a priest with my girlfriend to discuss getting married in his church and God wasn’t mentioned, as if doing so might cause embarrassment and I feel some of the same tension when writing. It’s not like the atheists have all the best tunes, though some people who I really admire are devout atheists, but it is the time we live in, the mechanical dome that umbrellas us from the eternal that causes me consternation. The unwillingness to open our…

    Read More > > >

    From The New Yorker

    Thomas Merton on Hate, Love, and Worth

    Thomas Merton on Hate, Love, and Worth

    From New Seeds of Contemplation, emphasis in the original, ht MM:

    Strong hate, the hate that takes joy in hating, is strong because it does not believe itself to be unworthy and alone. It feels the support of a justifying God, of an idol of war, an avenging and destroying spirit. From such blood-drinking gods the human race was once liberated, with great toil and terrible sorrow, by the death of a God Who delivered Himself to the Cross and suffered the pathological cruelty of His own creatures out of pity for them. In conquering death He opened their eyes to…

    Read More > > >

    Another Week Ends: Vegas Silence, Branded Recovery, Facebook Likes, Robinson's Calvin, Authentic Pressures and Tom Petty

    Another Week Ends: Vegas Silence, Branded Recovery, Facebook Likes, Robinson’s Calvin, Authentic Pressures and Tom Petty

    1. First up, it’s not every day you come across the theology of the cross in The Washington Post, so you’ve got to hand it to Michael Gerson for taking the risk in his brief rumination on How We Should Pray After Las Vegas earlier this week. He writes:

    The Christian faith involves a whisper from beyond time that death, while horrible, is not final — that the affirmations of the creeds and the inscriptions on tombstones are not lies. And for many, this hope is a barrier against despair.

    Yet faith also encompasses something deeper and more difficult — what theologian…

    Read More > > >

    Nothing More Characteristic (or Foundational)

    Nothing More Characteristic (or Foundational)

    Another of the countless “mic-drop” moments in Fleming Rutledge’s The Crucifixion. Italics in the original, ht RS:

    “There is nothing more characteristic of humanity than the universal tendency of one portion of that humanity to justify itself as deserving and some other portion as undeserving. Nothing is more foundational in Christian faith than the recognition that we can never be justified in that way. To speak of “deserving” is to divide up the world in a fashion that is utterly alien to the gospel. Christ came to die expressly for sinners, for the undeserving, for the ungodly (Rom. 5:6). Calvin, with…

    Read More > > >

    October Playlist

    October Playlist

    Won’t Get Fooled AgainGates Of The WestThink It Over NowAmerican TuneKansas Rain (LP Version)In the MorrowAlready GoneMama’s GoneIt Makes Me WonderNever Been WrongHave You Ever Loved SomebodyThe Day We Caught the TrainNeveda FighterPerfect PlacesBlack BeautyFor What It’s WorthA Salty DogLead Me On

    {“type”:”audio”,”tracklist”:true,”tracknumbers”:true,”images”:true,”artists”:true,”tracks”:[{“src”:”http:\/\/www.mbird.com\/wp-content\/uploads\/2017\/10\/01-Wont-Get-Fooled-Again.mp3″,”type”:”audio\/mpeg”,”title”:”Won’t Get Fooled Again”,”caption”:””,”description”:”\”Won’t Get Fooled Again\” from Mbird Oct 17 Playlist by LaBelle. Released: 2017. Track 1 of 18. Genre: Mockingbird.”,”meta”:{“artist”:”LaBelle”,”album”:”Mbird Oct 17 Playlist”,”genre”:”Mockingbird”,”year”:”2017″,”length_formatted”:”4:48″},”image”:{“src”:null,”width”:null,”height”:null},”thumb”:{“src”:null,”width”:null,”height”:null}},{“src”:”http:\/\/www.mbird.com\/wp-content\/uploads\/2017\/10\/02-Gates-Of-The-West.mp3″,”type”:”audio\/mpeg”,”title”:”Gates Of The West”,”caption”:””,”description”:”\”Gates Of The West\” from Mbird Oct 17 Playlist by The Clash. Released: 2017. Track 2 of 18. Genre: Mockingbird.”,”meta”:{“artist”:”The Clash”,”album”:”Mbird Oct 17 Playlist”,”genre”:”Mockingbird”,”year”:”2017″,”length_formatted”:”3:27″},”image”:{“src”:null,”width”:null,”height”:null},”thumb”:{“src”:null,”width”:null,”height”:null}},{“src”:”http:\/\/www.mbird.com\/wp-content\/uploads\/2017\/10\/03-Think-It-Over-Now.mp3″,”type”:”audio\/mpeg”,”title”:”Think It Over Now”,”caption”:””,”description”:”\”Think It Over Now\” from Mbird…

    Read More > > >

    What Made Paul Tillich a Conscious Protestant

    A timely dose of the controversial theologian doing what he did best, i.e. taking the theology of the cross to its existential limits. Via the introduction to The Protestant Era:

    “You cannot reach God by the work of right thinking or by a sacrifice of the intellect or by a submission to strange authorities, [ed: religious or not]… You cannot, and you are not even asked to try it. Neither works of piety nor works of morality nor works of the intellect establish unity with God. They follow from this unity, but they do not make it. They even prevent it if you try to reach it through them. But just as you are justified as a sinner (though unjust, you are just), so in the status of doubt you are in the status of truth. And if all this comes together and you are desperate about the meaning of life, the seriousness of your despair is the expression of the meaning in which you still are living. This unconditional seriousness is the expression of the presence of the divine in the expression of utter separation from it. It is this radical and universal interpretation of the doctrine of justification through faith which has made me a conscious Protestant.” (pg XV)

    Roughing Up an Isle of Dogs

    The debut of the unbelievably delightful first trailer for The Isle of Dogs (which arrives in theaters on yours truly’s birthday – coincidence?) is as good an occasion as any for posting a few paragraphs from the Wes Anderson essay that opens Mockingbird at the Movies.

    “The very mention of a religious dimension to Wes Anderson’s films may sound surprising, even bizarre. It is certainly not what he is known for. Critics praise his visual imagination, his attention to detail, his pet themes and oft-imitated (but never replicated) whimsy. They do not, as a group, gravitate toward spiritual language when discussing his movies. If anything, Wes has been criticized for the emotional distance of his dollhouse-like visions. The net effect of the fanciful scenery and mannered dialogue is to keep the viewer from fully entering into the picture, heart-wise, to say nothing of the spirit. Everything is so gloriously precise; it seems there is no room in a Wes Anderson film for any deity other than Wes Anderson.

    While such a view may not be entirely unfounded, it does not account for the stories themselves, in particular the trilogy of The Darjeeling Limited, Moonrise Kingdom, and The Grand Budapest Hotel. What emerges is something more akin to the fake Italian talk show interview with Wes that’s included on the Criterion edition of The Life Aquatic. Following a series of increasingly awkward exchanges, the befuddled host asks the director point- blank if he believes in God. Wes answers, “Eh, I think so. Yeah. I mean, roughly.”

    By “roughly” he no doubt meant “approximately,” yet given the films in question he might as well have been using it in the physical sense. In Anderson’s films, God intervenes upon hapless human beings with force, often in the guise of something cataclysmic and unpleasant–as a divine interruption as opposed to something engineered by one of the protagonists. However precious his sensibility may be in other ways–that is, the opposite of gothic–Wes demonstrates time and again an implicit grasp of what novelist Flannery O’Connor once described in relation to her own work:

    I suppose the reasons for the use of so much violence in modern fiction will differ with each writer who uses it, but in my own stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace. Their heads are so hard that almost nothing else will do the work. This idea, that reality is something to which we must be returned at considerable cost, is one which is seldom understood by the casual reader, but it is one which is implicit in the Christian view of the world.

    Where Flannery speaks of hard-headedness, Wes’ characters tend to be softer, not so much calloused by suffering and indignity as consumed with charming minutiae and narcissistic navel-gazing. But the inwardness proves intractable and warrants just as much of an abrupt, outside interruption.” (pg 16-17)

    To read more…

    Accidental Killers and Cities of Refuge

    Accidental Killers and Cities of Refuge

    “There are self-help books written for seemingly every aberration of human experience: for alcoholics and opiate abusers; for widows, rape victims, gambling addicts, and anorexics; for the parents of children with disabilities; for sufferers of acne and shopping compulsions; for cancer survivors, asexuals, and people who just aren’t that happy and don’t know why. But there are no self-help books for anyone who has accidentally killed another person. An exhaustive search yielded no research on such people, and nothing in the way of therapeutic protocols, publicly listed support groups, or therapists who specialize in their treatment…”

    Thus opens the second section…

    Read More > > >

    From The New Yorker

    A Fatal Attraction: The Law As Means of Control

    A Fatal Attraction: The Law As Means of Control

    One of passages from our Law & Gospel: A Theology for Sinners (and Saints) that we hear about most often:

    If no one fulfills the law, the question naturally arises: Why should we care about it? If it accuses and condemns us—two things that no one likes—why do we pay it such mind? Why does it keep coming back?

    Perhaps because the law [of God] is a true and good thing. Just because we are not able to live up to God’s standard does not somehow invalidate it. That is, we may find it impossible to stop worrying about the future, but…

    Read More > > >

    Why We Eat (and Think About Eating) Too Much

    Another excerpt from Mark Greif’s intimidatingly excellent essay collection Against Everything, this time as an excuse for posting the accompanying de Botton video almost as much as the quote itself:

    It will be objected that the care for food is a fascination only of the rich; this is false. Stretching from high to low, the commands to lose weight, to undertake every sort of diet for the purposes of health, to enjoy food as entertainment, to privatize food care as a category of inner, personal life (beyond the shared decisions of cooking and the family dinner), have communicated new thought and work concerning food to the vast middle and working classes of the rich Western countries, too.

    I think there is something wrong with all this. Underlying my opposition is a presumption that our destiny could be something other than grooming–something other than monitoring and stroking our biological lives. Many readers will disagree. I respect their disagreement if they are prepared to stand up for the fundamental principle that seems to underlie their behavior: that what our freedom and leisure were made for, in our highest state, really is bodily perfection and the extension of life.

    One of the main features of our moment in history, in anything that affects the state of the body (though, importantly, not the life of the mind), is that we prefer optimization to simplicity. We are afraid of dying, and reluctant to miss any physical improvement. I don’t want to die, either. But I am caught between that negative desire and the wish for freedom from control. I think we barely notice how much these tricks of care take up our thinking, and what domination they exert. (pgs 38-39)