About David Zahl

David Zahl is the director of Mockingbird Ministries and editor-in-chief of the Mockingbird blog. He and his wife Cate currently reside in Charlottesville, VA, with their two sons, Charlie and Cabell, where David also serves on the staff of Christ Episcopal Church.

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    Another Week Ends: American Immortals, Henry James, U2charists, Authentic Nerdists, AWK Prays, and Reclusive Deities

    Another Week Ends: American Immortals, Henry James, U2charists, Authentic Nerdists, AWK Prays, and Reclusive Deities

    1. Part and parcel of the juvenilization we touched on earlier this week is the phenomenon UPenn bioethicist Ezekiel Emanuel (best name ever?!) describes as “the American immortal”, that not-so-peculiar species that devotes so much of its time/energy to prolonging life that it kills them (often before they die). Surprise surprise–underneath the aversion to growing up may lurk a denial of human limitation which is ultimately a denial of death. In the latest bit of watercooler bait from The Atlantic, “Why I Hope To Die at 75″, Emanuel challenges the notion of “compression of morbidity”, the widespread presumption that the…

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    God Helped The Girl

    God Helped The Girl

    I guess it’s impossible to write about God Help the Girl, the new musical film written and directed by Stuart Murdoch of Belle and Sebastian, without weighing in on the larger aesthetic it embodies, what some have even called a movement: Twee. But I’m going to try, as we’ve tread that ground a number of times already. Suffice it to say, if ice cream cones (with pirouette cookies), Left Banke singles, and coonskin caps turn your stomach, you probably won’t be able to get beyond the window-dressing on this one. As the opening line of The Vulture review put it,…

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    Almost Like The Blues – Leonard Cohen

    The sage’s brilliantly titled new record, Popular Problems, comes out on Tuesday, but NPR is streaming the whole thing this week. Of particular note, thus far, is the Exodus-leaning “Born in Chains”, to say nothing of lead “single” “Almost Like the Blues”, the words of which were printed in verse form in The New Yorker a few weeks ago. The final verse stopped me in my tracks:

    There is no G-d in heaven
    And there is no Hell below
    So says the great professor
    Of all there is to know
    But I’ve had the invitation
    That a sinner can’t refuse
    And it’s almost like salvation
    It’s almost like the blues

    Liv Ullmann on Something Better Than Violence

    While we’re on the subject of social media, a highly unusual interview came across my desk this week, with Swedish actress-director Liv Ullmann, widely known for her collaborations with Ingmar Bergman. If at first it sounds like the rant of a septuagenarian, keep reading–would that we all could be so frank. It’s almost enough to make a person want to go rewatch Scenes from a Marriage (which is really saying something!):

    Liv+Ullman+2012+IIFA+Awards+Day+2+1gzfVbxS37Il“What is this chatting? And then they Twitter, and I understand the Twitter can be so mean and horrible and people are killing themselves because of what they’re reading about themselves. A lot of evilness comes when you are anonymous.” It’s a false democracy, [Ullman] thinks, a veneer behind which powerful groups can slip in and assume power.

    Maybe being famous means she can’t understand why others might want to be celebrities. It’s true, she can’t fathom it – why people would set their self-worth by such a measure. “We should tell them what is really to be cared for. It’s not because you’re suddenly famous, it’s really when you’re sitting one person to another and you are listening to each other and the other person is seeing you and then you have maybe a strange thought and you say it and suddenly see some understanding in the other person. Or you go to a movie and things you didn’t have words for are there. That is the communication I prefer.”

    Ullmann apologises. She’s gone off topic, she says. Her eyes are gleaming. She’s made this screamingly mean movie [an adaptation of Strindberg's 'Miss Julie', starring Jessica Chastain and Colin Farrell] to try to show people how not to behave. People ought to feel bad more than they do, she says, to try to make amends. “If you have a row with your husband and you see them lying down trying to sleep and you see they’re so scared, instead of saying: ‘You have to change or I’ll leave’, you should say: ‘I’m so sorry, I’m so sorry.’” When Jesus hung on the cross, he asked forgiveness of the brutes. There’s something that is better than violence. ‘Forgive me’, you should say, even if you have been wronged.”

    Where Have All the Grown-Ups Gone?

    Where Have All the Grown-Ups Gone?

    There I was, reclining in the waiting room while my son met with his speech therapist, as I do every week. Computer on my lap—heaven forbid I sit there unoccupied—I was reading A.O. Scott’s new treatise for The Times on “The Death of Adulthood in American Culture.” I like Scott’s writing, so I ignored the instinct to roll my eyes at the prospect of yet another think-piece about stunted millennials; I had time to kill, after all. It opens with some bold claims:

    Something profound has been happening in our television over the past decade, some end-stage reckoning. It is the…

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    The Preacher Addresses the Seminarians – Christian Wiman

    Good news! Yesterday saw the release of Christian Wiman’s new book of poetry, Once in the West. While my copy is still in mail, I couldn’t resist sharing the opening portion of what Dwight Garner in the NY Times has already called a “major performance” and “near-masterpiece”, one that Wiman was kind enough to preview for us when he was here in 2013, “The Preacher Addresses the Seminarians”. It’s biting and uncomfortable but also extremely funny, a veritable catalog of churchy tropes, both inane and indicting. Given its tone, the ending, which you’ll have to buy the book to read, may surprise you.

     

    9780374227012_p0_v2_s260x420I tell you it’s a bitch existence some Sundays
    and it’s no good pretending you don’t have to pretend,

    don’t have to hitch up those gluefutured nags Hope and Help
    and whip the sorry chariot of yourself

    toward whatever Hell your Heaven is on days like these.
    I tell you it takes some hunger heaven itself won’t slake

    to be so twitchingly intent on the pretty organist’s pedaling,
    so lizardly alert to the curvelessness of her choir robe.

    Here it comes, brothers and sisters, the confession of sins,
    hominy hominy, dipstick doxology, one more churchcurdled hymn

    we don’t so much sing as haunt: grounded altos, gear-grinding tenors,
    three score and ten gently bewildered men lip-synching along.

    You’re up, Pastor. Bring on the unthunder. Some trickle-piss tangent
    to reality. Some bit of the Gospel grueling out of you.

    I tell you sometimes mercy means nothing
    but release from this homiletic hologram, a little fleshstep

    sideways, as it were, setting passion on autopilot (as if it weren’t!)
    to gaze out in peace at your peaceless parishioners:

    boozeglazes and facelifts, bad mortgages, bored marriages,
    making a kind of masonry in faces at once specific and generic,

    and here and there that rapt famished look that leaps
    from person to person, year to year, like a holy flu.

     

    Anyone interested in Wiman would do well to read Matthew Sitman’s excellent new essay for The Deep Dish, “Finding the Words for Faith”, in which he dubs CW “America’s most important Christian writer.”

    Another Week Ends: Biblical Counseling, Jennifer Lawrence, God Help the Girl, Volunteer Pallbearers, Sly Stone and The Nobodies

    Another Week Ends: Biblical Counseling, Jennifer Lawrence, God Help the Girl, Volunteer Pallbearers, Sly Stone and The Nobodies

    1. Over at The Pacific Standard, Kathryn Joyce provides a remarkably thorough look at “The Rise of Biblical Counseling”. It’s a crash course in both the history of conflicted Christian attitudes toward psychotherapy, and, unintentionally perhaps, how those attitudes are perceived by secular elites (i.e. with disdain and/or condescension). She surveys a field which runs the gamut from hardliners who would chalk nearly all mental illness up to sinful behavior (and do untold damage in the process) and more moderate, medication-endorsing voices who have the gall to insist that there may be a spiritual and–gasp!–moral component to certain afflictions, or at least, that we ignore such…

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    We’re All Creatives Now?

    We’re All Creatives Now?

    I can’t remember the first time I heard someone refer to another person as “a creative” but I’m pretty sure it was within the past five years. Since then, the noun has broadened considerably. It used to be only fashion designers, novelists and musicians who were “creatives”. Now advertising executives refer to themselves this way. It’s clearly an elastic term, the connotations of which are almost all flattering. The adjective itself is everywhere you look, too (I’ve certainly used it in relation to ministry). And I’d wager this is largely a good thing. Creativity is often the fruit of grace,…

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    From The Onion: This Just The 30th Wake-Up Call Woman Needed

    Ooof, JD:

    sweetdeeLOUISVILLE, KY—According to reports, local woman Janelle Tompkins’ arrival to work an hour late and severely hungover Tuesday morning was precisely the 30th wake-up call she needed to turn her life around. “Wow, my habit of staying out and drinking all night has clearly gotten out of control. I’ve got to make some major changes ASAP,” said Tompkins, using the exact phrasing she uttered during her five previous wake-up calls this year, which have included two shattered relationships and blacking out at a friend’s bridal shower. “I suppose something had to give eventually, and now I’ve gotten the message: It’s time to make a fresh start and think about my future for once.” At press time, Tompkins had invited several close friends to celebrate her new lease on life by meeting at their local bar’s Oktoberfest celebration.

    September Playlist

    1. 09e95f9b9d69fe05485ff843784d2517Cruel to Be Kind – Nick Lowe
    2. One Way Love – Agnetha Faltskog
    3. Goodbye Eddie Goodbye – The Juicy Fruits
    4. A Day Without Jesus – Bobby Whitlock
    5. Bayou Country – Gritz
    6. What Becomes of the Brokenhearted – Joan Osborne and the Funk Brothers
    7. Suicide – The Raveonettes
    8. Racine – Duvall
    9. Another School Day – Hello
    10. Head Over Heels – ABBA
    11. So Now What – The Shins
    12. Truly Julie’s Blues – Bob Lind
    13. Like a Rocket Man – David Bowie
    14. No Show – Bishop Allen
    15. The New You – Jenny Lewis
    16. God and Suicide – Blizten Trapper
    17. Have Mercy – The Gaslight Anthem
    18. The Healing Day – Bill Fay

    BONUS TRACK: ABBA does Romans 7…

     

    5 Reasons Why You Should Watch (and Vote For) The Cosmopolitans

    5 Reasons Why You Should Watch (and Vote For) The Cosmopolitans

    The day has finally arrived. The pilot of Whit Stillman’s first ever TV series The Cosmopolitans is now available to be watched on Amazon Prime! But here’s the deal. The series itself won’t get picked up unless it receives enough votes. In other words, it’s time to rally the troops. Why should you run and not walk to cast your vote? Why should you either sign up for Amazon Prime yourself, or canvass your friends to find someone who has it and hijack their computer? Five reasons:

    1. It’s phenomenal. Here’s the review I posted on Amazon immediately after watching:

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    Bringing You the Gospel (pt 38)

    ht SH:

    ernieandbert

    Agnetha Faltskog Is God? (Mbird Find of the Century)

    As a music fan, every once and a while you have one of those “there-is-a-god moments” that makes all the digging worthwhile. You find something, usually by accident, that seems tailormade for YOU, a piece of the puzzle that fits perfectly, that you didn’t know you were missing. It sounds far-fetched, but the sensation is a spiritual one. In an instant, the impersonal universe evaporates and the existence of God seems like a foregone conclusion. And not just any God but a God that cares about, well, you. It happened when I stumbled across Elvis Presley’s “Let Us Pray”. Same thing when I heard the story behind The Monkees’ “St. Matthew”. But this one may take the cake: the lead off track on Agnetha Faltskog’s second solo album (you know, the girl who put the ‘A’ in ABBA). Written by none other than ELO maestro Jeff Lynne–especially for her!–and produced by 10cc’s Eric Stewart, I’m sure you’ll agree that the circle is now complete:

    To quote Elaine Benes, I have no speech. I mean, a Wilbury-written OWL, sung by ‘the girl with the golden hair’, the one who was by all accounts the most damaged by her former group’s astronomical success?! It’s too much. You’ll forgive me if I take the opportunity to repost Paul Zahl’s classic formulation (which Fall Conference speaker Tullian Tchividjian has run with so convincingly and enthusiastically). While PZ clearly takes the phrase in a different direction than Agnetha, by no means does his usage rule out the ‘unrequited’ aspect–it just switches the roles, i.e. Agnetha sings from the God’s-eye point of view, ‘natch:

    article-2213169-006FA67000000258-499_468x763Grace is love that seeks you out when you have nothing to give in return. Grace is love coming at you that has nothing to do with you. Grace is being loved when you are unlovable. It is being loved when you are the opposite of lovable. The cliché definition of grace is “unconditional love.” It is a true cliché, for it is a good description of the thing. It sounds a little 1970s (as in “Have a Nice Day!”). Yet the words are apt.

    Let’s go a little further, though. Grace is a love that has nothing to do with you, the beloved. It has everything and only to do with the lover. Grace is irrational in the sense that it has nothing to do with weights and measures. It has nothing to do with my intrinsic qualities or so-called “gifts” (whatever they may be). It reflects a decision on the part of the giver, the one who loves, in relation to the receiver, the one who is loved, that negates any qualifications the receiver may personally hold…. Grace is one-way love.”

    ‘No Divorce’ Pacts and the Benefits of a Recession

    ‘No Divorce’ Pacts and the Benefits of a Recession

    A touching installment of Modern Love appeared in this past Sunday’s NY Times, entitled “We Pledge Allegiance…”, in which Debby Greene traces how the “no divorce” pact she made with her husband has played out in her marriage, thirty years down the line. Clearly the survival of any relationship is seldom a matter simply of resolve. Still, in a society biased toward self-determination and individual ‘freedom’, their pact seems downright radical. I should let her tell it:

    Our first summer together, we read the “Lord of the Rings” trilogy to each other below high cliffs on a beach in Southern California….

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    Life in a Distant Country (According to H. Nouwen)

    A quote from Henri Nouwen’s classic The Return of the Prodigal Son, which dovetails nicely with what Will posted last week. Only word I might take issue with is “contemporary”, ht BS:

    “Addiction” might be the best word to explain the lostness that so deeply permeates contemporary society. Our addictions make us cling to what the world proclaims as the keys to self-fulfillment: accumulation of wealth and power; attainment of status and admiration; lavish consumption of food and drink, and sexual gratification without distinguishing between lust and love. These addictions create expectations that cannot but fail to satisfy our deepest needs. As long as we live within the world’s delusions, our addictions condemn us to futile quests in “the distant country,” leaving us to face an endless series of disillusionments while our sense of self remains unfulfilled. In these days of increasing addictions, we have wandered far away from our Father’s home. The addicted life can aptly be designated a life lived in “a distant country.” It is from there that our cry for deliverance rises up.