For as much burn as we’ve given David Foster Wallace on this site, I was surprised and a bit embarrassed to realize that we’ve never quoted from his opus Infinite Jest. Well, no longer! Here’s a favorite: the stunning passage where Wallace recounts one of his “protagonists”, Don Gately, praying for the first time. It doubles as a memorable description of what it looks like for a person to turn to God in a meaningful way (in something resembling our context). Gately spends much of the narrative as a resident and employee of Ennet House, a halfway house in Boston, and the section below is part of his long, hilarious discourse on the culture and content of Boston AA. He’s particularly preoccupied with the apparent lack of authority he observes. How does it all work without someone to enforce the steps? Wallace’s style (here) may take a little getting used to, but if you give it a shot, I guarantee you’ll be glad you did. Oh and ‘Crocodile’ is his word for ‘old-timer’, or someone who has been in the program for a long time. From pgs 357-360:
Gately’s sponsor Francis (‘Ferocious Francis’) G., the Crocodile that Gately finally got up the juice to ask to be his sponsor, compares the totally optional basic suggestions in Boston AA to, say for instance if you’re going to jump out of an airplane, they ‘suggest’ you wear a parachute. But of course you do what you want. Then he starts laughing until he’s coughing so bad he has to sit down.
The bitch of the thing is you have to want to. If you don’t want to do as you’re told — I mean as it’s suggested you do — it means that your own personal will is still in control, and Eugenio Martinez over at Ennet House never tires of pointing out that your personal will is the web your Disease sits and spins in, still. The will you call your own ceased to be yours as of who knows how many Substance-drenched years ago. It’s now shot through with the spidered fibrosis of your Disease. His own experience’s term for the Disease is: The Spider. You have to Starve The Spider: you have to surrender your will. This is why most people will Come In and Hang In only after their own entangled will has just about killed them. You have to want to surrender your will to people who know how to Starve The Spider. You have to want to take the suggestions, want to abide by the traditions of anonymity, humility, surrender to the Group conscience. If you don’t obey, nobody will kick you out. They won’t have to. You’ll end up kicking yourself out, if you steer by your own sick will. This is maybe why just about everybody in the White Flag Group tries so hard to be so disgustingly humble, kind, helpful, tactful, cheerful, nonjudgmental, tidy, energetic, sanguine, modest, generous, fair, orderly, patient, tolerant, attentive, truthful. It isn’t like the Group makes them do it. It’s more like that the only people who end up able to hang for serious time in AA are the ones who willingly try to be these things. This is why, to the cynical newcomer or fresh Ennet House resident, serious AAs look like these weird combinations of Gandhi and Mr. Rogers with tattoos and enlarged livers and no teeth who used to beat wives and diddle daughters and now rhapsodize about their bowel movements. It’s all optional; do it or die.
So but like e.g. Gately puzzled for quite some time about why these AA meetings where nobody kept order seemed so orderly. No interrupting, fist-icuffery, no heckled invectives, no poisonous gossip or beefs over the tray’s last Oreo. Where was the hard-ass Sergeant at Arms who enforced these principles they guaranteed would save your ass? Pat Montesian and Eugenio Martinez and Ferocious Francis the Crocodile wouldn’t answer Gately’s questions about where’s the enforcement. They just all smiled coy smiles and said to Keep Coming, an apothegm Gately found just as trite as ‘Easy Does It!’ ‘Live and Let Live!’.
How do trite things get to be trite? Why is the truth usually not just un-but anti-interesting? Because every one of the seminal little mini-epiphanies you have in early AA is always polyesterishly banal, Gately admits to residents. He’ll tell how, as a resident, right after that one Harvard Square industrial-grunge post-punk, this guy whose name was Bernard but insisted on being called Plasmatron-7, right after old Plasmatron-7 drank nine bottles of NyQuil in the men’s upstairs head and pitched forward face-first into his instant spuds at supper and got discharged on the spot, and got fireman-carried by Calvin Thrust right out to Comm. Ave.’s Green Line T-stop, and Gately got moved up from the newest guys’ 5-Man room to take Plas-matron-7’s old bunk in the less-new guys’ 3-Man room, Gately had an epi-phanic AA-related nocturnal dream he’ll be the first to admit was banally trite. In the dream Gately and row after row of totally average and non-unique U.S. citizens were kneeling on their knees on polyester cushions in a crummy low-rent church basement. The basement was your average low-rent church basement except for this dream-church’s basement walls were of like this weird thin clean clear glass. Everybody was kneeling on these cheap but comfortable cushions, and it was weird because nobody seemed to have any clear idea why they were all on their knees, and there was like no tier-boss or sergeant-at-arms-type figure around coercing them into kneeling, and yet there was this sense of some compelling unspoken reason why they were all kneeling. It was one of those dream things where it didn’t make sense but did. And but then some lady over to Gately’s left got off her knees and all of a sudden stood up, just like to stretch, and the minute she stood up she was all of a sudden yanked backward with terrible force and sucked out through one of the clear glass walls of the basement, and Gately had winced to get ready for the sound of serious glass, but the glass wall didn’t shatter so much as just let the cartwheeling lady sort of melt right through, and healed back over where she’d melted through, and she was gone. Her cushion and then Gately notices a couple other polyester cushions in some of the rows here and there were empty. And it was then, as he was looking around, that Gately in his dream looked slowly up overhead at the ceiling’s exposed pipes and could now all of a sudden see, rotating slow and silent through the basement a meter above the different-shaped and -colored heads of the kneeling assembly, he could see a long plain hooked stick, like the crook of a giant shepherd, like the hook that appears from stage-left and drags bad acts out of tomato-range, moving slowly above them in French-curled circles, almost demurely, as if quietly scanning; and when a mild-faced guy in a cardigan happened to stand up and was hooked by the hooked stick and pulled ass-over-teakettle out through the soundless glass membrane Gately turned his big head as far as he could without leaving the cushion and could see, now, just outside the wall’s clean pane, trolling with the big stick, an extraordinarily snappily dressed and authoritative figure manipulating the giant shepherd’s crook with one hand and coolly examining the nails of his other hand from behind a mask that was simply the plain yellow smily-face circle that accompanied invitations to have a nice day. The figure was so impressive and trustworthy and casually self-assured as to be both soothing and compelling. The authoritative figure radiated good cheer and abundant charm and limitless patience. It manipulated the big stick in the coolly purposeful way of the sort of angler who you know isn’t going to throw back anything he catches. The slow silent stick with the hook he held was what kept them all kneeling below the baroque little circumferences of its movement overhead.
One of Ennet House’s live-in Staffers’ rotating P.M. jobs is to be awake and on-call in the front office all night for Dream Duty — people in early recovery from Substances often get hit with real horror-show dreams, or else traumatically seductive Substance-dreams, and sometimes trite but important epiphanic dreams, and the Staffer on Dream Duty is required to be up doing paperwork or sit-ups or staring out the broad bay window in the front office downstairs, ready to make coffee and listen to the residents’ dreams and offer the odd practical upbeat Boston-AA-type insight into possible implications for the dreamer’s progress in recovery — but Gately had no need to clomp downstairs for a Staffer’s feedback on this one, since it was so powerfully, tritely obvious. It had come clear to Gately that Boston AA had the planet’s most remorselessly hard-ass and efficient sergeant at arms. Gately lay there, overhanging all four sides of his bunk, his broad square forehead beaded with revelation: Boston AA’s Sergeant at Arms stood outside the orderly meeting halls, in that much-invoked Out There where exciting clubs full of good cheer throbbed gaily below lit signs with neon bottles endlessly pouring. AA’s patient enforcer was always and everywhere Out There: it stood casually checking its cuticles in the astringent fluorescence of pharmacies that took forged Talwin scrips for a hefty surcharge, in the onionlight through paper shades in the furnished rooms of strung-out nurses who financed their own cages’ maintenance with stolen pharmaceutical samples, in the isopropyl reek of the storefront offices of stooped old chain-smoking MD’s whose scrip- pads were always out and who needed only to hear ‘pain’ and see cash. In the home of a snot-strangled Canadian VIP and the office of an implacable Revere A.D.A. whose wife has opted for dentures at thirty-five. AA’s disciplinarian looked damn good and smelled even better and dressed to impress and his blank black-on-yellow smile never faltered as he sincerely urged you to have a nice day. Just one more last nice day. Just one.
And that was the first night that cynical Gately willingly took the basic suggestion to get down on his big knees by his undersized spring-shot Ennet House bunk and Ask For Help from something he still didn’t believe in, ask for his own sick Spider-bit will to be taken from him and fumigated and squished.