Never thought I’d be writing about Sir Tom Jones on here. As I suspect is the case with many of us, after the double whammy of “It’s Not Unusual” in Mars Attacks and the ubiquitous euro-pop smash “Sex Bomb,” he faded from my radar screen. That is, outside of a couple bits in an Elvis biography (the two were very much contemporaries during EP’s Vegas phase). But this past week the maestro put out quite a doozie of a gospel record, Praise and Blame, produced by none other than Ryan Adams/Kings of Leon/son-of-Glyn guru Ethan Johns. It’s Jones’ version of a American Recordings project – stripped down and back-to-basics. At least, if by “basics” you mean hard-core gospel covers: highlights include “Lord Help”, “If I Give My Soul”, “Did Trouble Me” and, of course, “Burning Hell.” Talking about the record, Jones had this priceless soundbite:
“I wanted to make a gospel album, and I thought, ‘Wait a minute, it’s going to be Christian’. And then I thought, ‘Well I am a Christian!’ I’m sorry, but I am!”
The opening track is a devastating version of Bob Dylan’s devastating Oh Mercy meditation on Romans 7, “What Good Am I?” Jones may look a tad ridiculous these days (still reigning as the tannest Welshman on Earth), but the song is an undeniable shot from the heart. The closing crucifixion reference gets me every time:

















3 comments
Michael Cooper says:
Aug 3, 2010
I think that this album is at or near the top of the pop charts in Britain.
folk notions says:
Aug 4, 2010
This album is incredible. And not even in a kitschy way. It is really a work of art. Strip away the big band maximalism of Tom Jones's 70's and 80's persona and give him a minimalist blues/gospel backing, letting his voice hold it all together, aged like a fine wine.
And with that voice travels the gospel with no ornaments – foolishness to those who are perishing but the power of God to those who are being saved. Can someone send a copy of this to Dove and Integrity Records? Common Grace got it where the church didn't.
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Glen Campbell Is Still On the Line | Mockingbird says:
Sep 7, 2011
[...] being the template that an increasing amount of older artists are (thankfully) adopting, e.g. Tom Jones and Neil Diamond. These are sober records that embrace, or at least confront, mortality rather than [...]